Fresh-to-Market Selection of Paintings from Artists’ Estates to Highlight Myers Auction
“Cholla and Sahuaro,” one of three Gustave n upcoming Baumann (American, 1881-1971) woodblock prints in an upcoming Myers Fine Art auction, carries a $10,000 to $15,000 presale estimate. (Photo: Myers Fine Art)
ST. PETERSBURG, FL – Nearly all artists of renown have a private reserve of paintings they display in their own homes but never offer for public sale. Myers Fine Art’s April 7 auction features a connoisseur’s selection of artworks that qualify for this elite category.
Almost every painting, sculpture or work on paper was obtained directly from a noted artist’s estate or from the recipient to whom the artwork was gifted or bequeathed. A sizable portion of the fresh-to-market auction trove comes from the estates of New York artists, with the remainder representing private holdings from now-deceased American and European painters. While all schools converge in this sale, with a dateline from the early 17th through early 20th centuries, the selection is “predominantly modern,” said Myers co-owner Mary Dowd.
The largest grouping from a single artist is the collection of 15 works by 1960s abstract minimalist Leon Polk Smith (Native American, 1906-1996). Influenced by Piet Mondrian, Smith’s highly original style is associated with the hard-edge school, of which he is considered a founder. Smith spent most of his life in New York City, with the only breaks being a two-year tenure at Rollins College in Florida and a brief period of residence in Cuba. His influence and importance are validated by the many museums whose permanent collections include his paintings, such as the Whitney, the National Gallery of Art, and the Guggenheim, where Smith received a coveted fellowship.
Among the Leon Polk Smith paintings in the sale is a signed 1970 acrylic on shaped canvas painting from Smith’s acclaimed Constellation series. Measuring 19 inches square, it is estimated at $4,000 to $6,000. Also, a 31½-inch diameter oil and collage on canvas titled “Vermilion Black” is signed on verso and carries the inscription “Gift to Bob Jamieson 1956.” It is expected to make between $6,000 and $9,000.
The legacy of New York artists continues with three quintessential Johann Berthelsen (American, 1883-1972) oil-on-board snow scenes of Manhattan landmarks: Washington Square Park (18¾ x 22¾ inches sight, est. $4,000-$6,000), the Empire State Building (19 7/8 x 24 inches sight, est. $4,000-$6,000) and Central Park. Each of the paintings is signed and attractively framed.
Howard Gardiner Cushing’s (American, 1869-1916) signed oil-on-board “Portrait of Gertrude Vanderbilt Whitney” depicts the famous New York art patron and museum founder in a fanciful Leon Bakst-designed costume. A pencil notation on the back of the 18- by 13¼-inch (sight) painting reads, in part, “Bought by Mrs. Delano, 131 E. 36…” It is estimated at $5,000 to $7,000.
“It is interesting how the artworks acquired from completely different estates somehow came together in this sale so many years later,” Dowd said. “The Mrs. Delano who purchased the Cushing painting was the wife of architect William Adams Delano of the firm Delano & Aldrich. After Howard Cushing died, Mrs. Whitney helped fund a gallery at the Newport Art Museum to memorialize Cushing’s work. Mrs. Whitney’s good friend, William Delano, was chosen to design the gallery.
“We’re also auctioning some beautiful New York City architectural prints by Chester Price, who, coincidentally, worked for Delano & Aldrich for many years,” Dowd added. “And bringing it full circle, the sale also includes a collection of artists’ books, one of which is filled with colorful plates depicting some of Leon Bakst’s Ballets Russes costumes similar to the one Gertrude Whitney wore for her Cushing portrait.”
A Gustave Baumann (American, 1881-1971) woodblock print titled “Cholla and Sahuaro” vividly showcases several varieties of cacti, some of them flowering, in a Southwestern desert setting. Pencil-signed with the artist’s chop mark, the 20- by 19-inch (framed) work is numbered 49/125 and expected to realize $10,000-$15,000 at auction.
Distinctly the work of Balcomb Greene (American, 1904-1990), a dramatic oil-on-linen artwork depicting craggy rocks and chilly waters is titled “The Cove.” It measures 60 inches by 54 inches and is artist signed and estimated at $4,000-$6,000. A more placid water scene is William Allyn Nichols’ (American, b. 1942-) signed, 53- by 78-inch (sight) oil on canvas titled “Japanese Foot Bridge,” which is entered in the sale with a $6,000-$8,000 estimate. Making it a marine trifecta, Emile A. Gruppe’s (American, 1896-1978) 1958 oil painting “Shelling Longboat Key” is offered with a $4,000-$6,000 estimate.
Alfonso A. Ossorio’s (American, 1916-1990) signed and dated 1952 freeform watercolor titled “Mononucleosis” measures 40 by 26¼ inches (sight) and could bring $3,000-$4,000 at auction. Another compelling contemporary work is the Louise Berliawsky Nevelson (American, 1899-1988) oil on canvas titled “Cats.” Signed but unframed, it is estimated at $2,000-$4,000.
Heading the European art section is a Joan Miro (Spanish, 1893-1983) aquatint etching “L’aigrette Rouge,” signed and numbered 15/50, it is estimated at $10,000-$15,000. “It is unusual to encounter a Miro from such a small edition,” Dowd noted.
For more information about this auction, call 727.823.3249, e-mail to firstname.lastname@example.org or visit the Myers Fine Art website.
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