Pablo Picasso’s “Femmes lisant (Deux personnages),” painted in 1934 depicting his lover, Marie-Thérèse Walter, reading with her sister, led the Impressionist & Modern Art Evening Sale held at Sotheby’s on May 3, achieving $21,362,500.
NEW YORK – Pablo Picasso’s “Femmes lisant (Deux personnages)”—a striking portrayal of the artist’s beloved mistress during the 1930s—was the top lot in a sale of Impressionist & Modern Art Evening Sale held at Sotheby’s on May 3, achieving $21,362,500.
Overall, the auction achieved $170,478,000, within the overall pre-sale estimate ($158.9/229.7 million), and a total of 37 works realized $1 million or more. Auction records were established for the Surrealist artist Paul Delvaux and for a sculpture by Paul Gauguin.
“This evening’s sale saw solid bidding activity from around the world, both in the room and on the phones,” said Simon Shaw, head of Sotheby’s Impressionist & Modern Art Department in New York. “Pablo Picasso was our dominant artist tonight. Another high point of the night was the Jawlensky, a prime work by the artist and the finest we have seen since we achieved the world record in 2008.”
“What unified the top-selling lots in tonight’s sale was great visual presence and vibrant color,” said David Norman, co-chairman of Sotheby’s Impressionist & Modern Art Department Worldwide. “As always, fair and conservative estimates really whet the appetite and increase bidding. The results demonstrate demand across all of the different categories represented. Surrealism did wonderfully, as we saw with the record-breaking price achieved by the Delvaux, and the strong prices brought for both Dalí and Magritte. Impressionist works held up well, with the Monet selling for nearly $6.3 million–twice the price it brought in 2004. Sculpture also performed well, as did the spectacular Expressionist artist (Alexej von) Jawlensky.”
Eight of the 10 Picasso paintings found new homes. “Femmes lisant (Deux personnages),” which was sold to a private collector, was painted in 1934 and depicts his lover, Marie-Thérèse Walter, reading with her sister. The canvas is among the most monumental of the iconic series of pictures depicting the young woman, and was last on the market in 1981.
Picasso’s “Femme,” from a small series of Surrealist works known as the “Bone” pictures, achieved $7,922,500 after a heated competition between bidders.
Three paintings by Picasso from the collection of Dodie Rosekrans also highlighted the group: the monumental “Couple à la guitar” from 1970, brought $9,602,500; “Femme,” from a small series of Surrealist works known as the “Bone” pictures, achieved $7,922,500 after a heated competition, exceeding its pre-sale high estimate of $5 million; and “Fillette aux nattes et au chapeau vert,” a tender depiction of the artist’s daughter Paloma, also exceeded its high estimate in selling for $5,906,500. In total, works from the Rosekrans Collection brought $23,431,500, just shy of their collective pre-sale high estimate.
Another standout of the sale was Paul Gauguin’s “Jeune tahitienne.” The exquisite wood carving set a new record for a sculpture by the artist when it sold for $11,282,500, also marking the eighth-highest price for any work by the artist at auction. “Jeune tahitienne” was carved during Gauguin’s first trip to Tahiti between 1890 and 1893, and is the only fully-worked bust portrait the artist is known to have created. In 1894, Gauguin presented the sculpture to Jeanne Fournier, the 10-year-old daughter of critic and collector Jean Dolent, having promised to bring her a gift from the tropics. In addition, competition was fierce for Alberto Giacometti’s “Femme debout.” More than seven bidders vied for the bronze before it sold to client on the phone for $7,362,500, more than double the high estimate of $3 million.
Jawlensky’s “Frau mit grünem Fächer (Woman with a green fan)” achieved $11,282,500, just under its high estimate of $12 million. This price is the second-highest for a work by Jawlensky, and Sotheby’s now holds the top three prices for the artist at auction. Pulsating with vibrant color and rich, painterly detail, the extraordinary work exemplifies the artist’s talents as a key figure in the Expressionist movement.
Following the success of Salvador Dalí’s “Portrait de Paul Éluard,” which set a record for any Surrealist work at auction when it sold for $21.7 million at Sotheby’s London in February of this year, tonight’s sale in New York saw strong prices for several Surrealist works. Paul Delvaux’s spectacular “Les Cariatides,” from 1946 and ranks among the most celebrated and widely-known compositions of his career, set a new auction record for the artist when a prolonged bidding war drove its price to $9,042,500 (est. $5-$7 million). René Magritte’s “Quand l’heure sonnera” brought $5,962,500, while six bidders clamored for Salvador Dalí’s extraordinary portrait of Helena Rubinstein. Consigned by the Helena Rubenstein Foundation, the work brought $2,658,500, well in excess of its $1.5-million high estimate.
Several Impressionist works in the sale also performed strongly: Claude Monet’s “La Seine à Argenteuil” from 1877 achieved $6,242,500; Édouard Manet’s handsome “Portrait de Monsieur Brun,” which has remained in Brun’s family since it was painted in 1880, brought $5,402,500; and Camille Pissarro’s “L’Hermitage en été, Pontoise” sold for $4,282,500.
For more information about this auction, visit the Sotheby’s web site.
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