Amazonian Painting - Usko-Ayar School - River Evening - Carlos Marin 2003

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River Evening", Carlos Marin 2003 - Usko Ayar- Amazonian School of Painting. Size: 12 1/2 inches by 9 1/2 inches, Gouache on canvas. Carlos Marin was one of Pablo Amaringo's students. (Ayahuasca Visions) The Usko-Ayar (Quecha term for "Spiritual Prince") is more than an art school. It is an institution devoted to the rescue and preservation of the knowledge and the traditions of the indigenous people of the Peruvian Amazon. Their art is a documentation of the flora, fauna, and culture of the Amazon, and it promotes and preserves the traditional knowledge of medicinal and other plants of this region. Usko-Ayar painters are inspired by the flora and fauna of this jungle habitat, and recreate their personal experience in their paintings. Ranging in age from 8 to 24 years, these young artists come from humble families. The Usko-Ayar Amazonian School of Painting was created in 1988 through a collaboration of Peruvian painter and Shaman, Pablo Amaringo, and the Colombian anthropologist Luis Eduardo Luna and his wife, Sirpa Rasanen. The first pupils remain today as teachers, and the school has more than 700 students. The school is open to all and is free of costs. Art materials and other expenses are met by sales of paintings; half is paid to the painter. Pablo Cesar Amaringo (1938 – 16 November 2009) was an acclaimed Peruvian artist, renowned for his intricate, colourful depictions of his visions from drinking the entheogenic plant brew, ayahuasca .[ 1] He was first brought to the West's attention by Dennis McKenna and Luis Eduardo Luna , who met Pablo in Pucallpa while traveling during work on an ethnobotanical project. Pablo worked as a vegetalista , a shaman in the mestizo tradition of healing, for many years; up to his death, he painted, helped run the Usko-Ayar school of painting, and supervised ayahuasca retreats.Amaringo was born the seventh of thirteen children in 1943 in Puerto Libertad , a small settlement on the banks of a tributary of the Ucayali River . When Amaringo was a boy, his family were reduced to extreme poverty after some years of relative prosperity. As a result, they moved to Pucallpa where Amaringo attended school for just two years before he was forced to find work to help support the family. When he was 17 Amaringo became extremely ill, nearly dying from severe heart problems. For over two years he could not work. He believes he was eventually cured due to a local healer.It was while recovering from this illness that he started to draw and paint for the first time. Amaringo began making drawings with pencil and shading with soot from lamps. From a friend employed in a car factory he got permatex, a blue substance with which he coloured the drawings. He had no money for paper so he used cardboard boxes. Sometimes he took a little lipstick and other cosmetics from his sisters. Later he used ink, watercolours and then a friend gave him six tubes of oil paint.Soon Amaringo began to make money from portraits, but lost his market when photographers began to colour black-and-white prints. With the discovery of his new artistic talent Amaringo's career as a healer also received exposure. For seven years, 1970–76, he travelled extensively in the region acting as a traditional healer.When Luna and McKenna met Amaringo in 1985 he was living in poverty, barely surviving by teaching English to young people from his home and selling the odd painting to passing tourists. Luna suggested he paint some of his visions, a project which became the basis of a co-authored book, Ayahuasca Visions: The Religious Iconography of a Peruvian Shaman (North Atlantic Books - ISBN 1-55643-311-5 ). [2 ][ 3] Since the publication of this book in 1999, Amaringo had not produced any further writings about his work apart from occasional interviews. In 2006, however, he reappeared as a writer, penning the preface for a new book on plant medicines, sacred hallucinogens, and shamanism, called Plant Spirit Shamanism: Traditional Techniques for Healing the Soul (Dest... read more

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