AVALANCHE - Perseverance Kills. - Private Dutch PROG LP

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RECORD is NEARMINT (so like new, probably played only a few times. Has been test played. GREAT music, GREAT sound, HIGH quality.COVER shows some ringwear. EXCELLENT. Has not been cleaned. See pictures.True collector's treasure !Title: Perseverance kills our game Label: starlet (private label only 200 were sold)Cat.#.: STL 10036Country: NetherlandsYear of release: 1979 You are looking at the mega rare prog/psych album AVALANCHE-PERSEVERANCE KILLS OUR GAME, released only in Holland. There has never been a re-press nor cd release. I don't expect this, because in the Netherlands this lp is totally overlooked and forgotten.It was sold very badly (only 200 copies!!),heavy collectable nowadays!!.Released on the tiny STARLET label,cat.nr STL 10036. ELECTRIC FOLK PSYCH WITH KILLER FUZZ GUITAR ATTACKS, SUPERB MUSICIANSHIP, TRADITIONAL TOUCH. Impossible to find, this copy is the first I saw after so many years.Tracklisting: Lodalientje [3:55] Cola-tik [2:47] Hymn On Wind And Water [5:17] Maiden Voyage [6:56] Gimmick For 20 Fingers [1:18] Transcendence (for Leo) [7:11] Images Of Long Gone By [2:29] Oblivion [11:14] Members of Avalanche: Rob Dekker - Jan Blom - Marcella Neeleman - Johan Spek - Daam Slaman - Fred Dekker - Hans Heeres Sound engineer and mixer: Sjaco v/d SpeldRecorded in september/octoberat De Zespunt, Moordrecht (a very small village near Gouda), a school in The Hague and on a location in Gouda. Review:For hardcore collectors of progressive rock music, the obscure megabuck private pressing almost always ends up being somewhat of a disappointment. The hit ratio of great quality obscurities is quite low. There are many reasons for this including low budgets, amateur musicians, lack of direction and so on. So when a pure gem like Avalanche is found while wading through the chaff, there is some real cause to take notice and celebrate. On the mostly instrumental Perseverance Kills Our Game, Avalanche achieves all that makes a low-budget production endearing. First of all, the playing is true to the heart - an intangible that is subtle though very recognizable for those who hear these type of recordings on a regular basis. The musicianship here is superb though hardly symphony orchestra quality. And there is a real intimacy that surrounds the atmosphere - as if you're in the room while they're recording. And perhaps the fact that Avalanche have six full-time members helps keep the album from the one-dimensional nature of most private releases. Side one is primarily a folk rock affair with wonderful acoustic guitar, piano, bass, drums and sparse (one track), but well done vocals. The real highlights, though, have to be the gorgeous flutes (various types) and the soaring and spiritual electric guitar work. For pure haunting folk, "Cola-tik" is the embodiment of melancholy whereas the progressive folk rock number "Maiden Voyage" displays the band's talent with extended compositions. While the opening side is excellent, there is no foreshadowing of the brilliance to be found on the flip side. It moves beyond folk rock to a more complex prog rock sound and climaxing at the end of the album with a psychedelic space rock sequence not found since the glory days of Krautrock and bands like Ash Ra Tempel. "Transcendence" starts this side with serene piano and is augmented by bagpipe and flute. Then a powerful electric guitar enters to play the same beautiful melody. The tone gets noticeably louder until there's a dramatic break. Here, Avalanche display a ferocity that is a complete contrast to the delicate and mellow nature displayed so far. A soft, two-minute acoustic ballad is inserted to calm the nerves before the massively powerful "Oblivion" enters. This 11-minute plus opus is the high water mark for folk rock. As on "Transcendence", the composition opens softly with a stunning acoustic guitar melody which is then offset by some dire sounding flutes followed by harmonium. It's just unbelievably pretty yet somehow very sad. Just when... read more

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