GEMMELL HUTCHISON R.S.W. (1855-1936) SIGNED WATERCOLOUR to £110,000+ LARGE WORK

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GEMMELL HUTCHISON R.S.W. (1855-1936) SIGNED WATERCOLOUR to £110,000+ LARGE WORK IMPORTANT LARGE PAINTING - FEEDING HENS ON COAST SIGNED GEMMELL HUTCHISON R.S.W. (1855-1936) SIGNED WATERCOLOUR to £110,000+ LARGE WORK IMPORTANT LARGE PAINTING - FEEDING HENS ON COAST SIGNED ROBERT GEMMELL HUTCHINSON R.S.A. R.S.W. ( 1855 - 1936 ) A very large and hugfely impressive watercolour by Robert Gemmell Hutchison R.S.W. depicting a mother and child feeeding hens at a henhouse on the beach. This work is fully signed , 100% genuine , originally from a collection in Cape Town. A major work by a major painter. Title: "Feeding Hens on the Beach" Signature: Fully signed lower left Provenance: William Derry Gallery - Cape Town c 1930 Medium: Watercolour on original artists board Frame: Gilt frame and mount Size: c. 18 x 24 inches unframed / 20 x 26 framed Condition: Excellent - strong fresh colours ABOUT THE ARTIST: Robert Gemmell Hutchison was born and educated in Edinburgh. He began work as a seal engraver, although his real love was painting and he later studied art at The Board of Manufacturers School of Art. Hutchison developed a distinctive, broad and vigorous style. He specialised in painting children and genre scenes within interiors, Scottish landscapes and his much sort after and highly desirable picturesque Shore scenes. Hutchison was soon recognised by the art fraternity and became one of the most prolific exhibitors of his day. He was elected to many prestigious academies throughout the British Isles, including; The Royal Society of British Artists, The Royal Institute of Oil Painters, The Royal Society of Painters in Watercolour and The Royal Scottish Academy. Hutchison was awarded a medal for his work in 1903. There are close similarities between his work and some of the Glasgow School of Painters in particular, in his use of broad brushstrokes and soft, mute colouring. The style is pure 'British Impressionism', with the artist displaying consummate command of his medium and revelling in light effects and atmosphere. The impasto is rich and yet the handling is free and spontaneous, despite the imposing dimensions of the canvas. Coastal views are most effective on a large scale, an inspiration Hutchison would have drawn from William McTaggart, and the younger artist was instructed by him at the Trustees' Academy in 1877 alongside notable contemporaries such as Arthur Melville and Patrick William Adam. Hutchison loved to paint girls on the shore and often called on his daughters and their friends, whether he was working in East Lothian, Carnoustie or Berwickshire. Many pictures feature the same models and poses, and this work is a synthesis of his best compositions. Hutchison emerged from the 'Scott Lauder' tradition of genre and rustic naturalism, and although a contemporary of the elder members of the Glasgow School his early work was not progressive. He painted interiors with a tendency towards pathos, and had much in common with the Hague School. However, after 1900 he achieves a distinctive niche with his light, airy coastal views, and a Gold Medal awarded at the Paris Salon for Bairnies Cuddle Doon confirms that his style had a resonance beyond Scotland. Exhibited: Royal Academy, Royal Society of British Artists, Royal Institute, Royal Institute of Oil Painters, Grosvenor Gallery, Arlington Gallery, Royal Society of Art,Manchester City Art Gallery,Walker Art Gallery Edinburgh,Royal Scottish Academy, Glasgow Institute. _gsrx_vers_468 (GS 6.4 (468)) read more

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