April 12, 2024
2 JAPANESE HAIGA-PAINTING,HAIKU POETRY, NANGA, Matsuo Bashō, Osaka, around 1680
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JAPANESE HAIGA-PAINTINGS HAIKU POETRY NANGA Matsuo Bashō Osaka, around 1680 *** Poem Painting *** *** Haiku Poetry *** Japan-Poetry-Nanga "HAI" meant merrily and "GA" meant a picture = Merry picture Japanese Painting on rice paper Haiga is an advancement of the Chinese Nanga Painting Avoidance of the description and/or representation of redundant unimportant one Material: Rice paper Contents: Haiga-Painting Size : sheet ca. 26,5cm x 19cm ***Handcolored*** The Haiga defines itself by the same characteristics as the Haiku-Poetry. The Haiga is very near earth, unpretentiously and humorous, makes the straight unspektakulären, daily topics and objects visible. These characteristics are also again in to us the well-known terminology: Shark dock taste, shark dock smell, simplicity, being sufficient SAMness, modest and simple way of life, harsh and passing beauty, Transzendenz, avoidance of common one and of Cleverness and Rafinement. Simplicity, Schlichtheit thriftiness and modesty are the outstanding features of the Japanese aesthetics. Matsuo Bashō (jap. 松尾芭蕉, Matsuo Bashō; * 1644 in Akasaka, province Iga (today: Akasaka, Ueno, Iga, prefecture Mie); �� 28 November 1694 in Osaka), actually Matsuo Munefusa (松尾宗房), was a Japanese poet. It is considered as important representatives of the Japanese verse form Haiku. Bashō and its pupils
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