LUXMAN CL350 SOLID STATE STEREO CONTROL AMPLIFIER *L@@K

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ONE Gor geous LUXMAN CL350 SOLID STATE STEREO CONTROL AMPLIFIER WITH ORIGINAL LUXMAN WOODEN CABINET You are biddin g on ONE Gorgeous LUXMAN CL350 SOLID STATE STEREO CONTROL AMPLIFIER WITH ORIGINAL LUXMAN WOODEN CABINET IN PERFECT WORKING CONDITION , MULTI VOLTAGE AC INPUT 100V-240V 50- 60 Hz, The Serial is C7105144, THIS LUXMAN CL350 PRE AMP is 17" L X 5.50" H X 8" D, As you can see in the picture below, This LUXMAN CL350 PRE AMP is in EXCELLENT CONDITION, DO HAVE SOME SCRATCHES MOSTLY ON THE WOODEN CABINET, DO NOT HAVE THE STEP UP TRANS (see pics.), It has been tested and is g uaranteed to work fine. Extremely well made and they sound sweet, natural and g or geous when tested, sound g reat. I g uarantee they works and sound perfectly fine. Bid with confidence. Buyer prepays and actual shippin g fee, PAYMENT MUST BE RECEIVED WITHIN 14 DAYS OF AUCTION CLOSING OR ITEM WILL BE RELISTED. Payment by paypal is welcome. Thanks for loo kin g, happy biddin g and please check out my other auction. General: This pre-amplifier or control amplifier as Luxman decided to call it was built during the late 70’s. It was designed to match the M150 power amplifier and the similarly styled T-300 tuner. Its main features were the elaborate tone controls and its ability to connect to a variety of equipment. The specifications were not particularly awesome, even not in 1978. What you got for the money was a well-built piece of equipment. Special futures: Compared to modern equipment the CL350 has a couple of advantages that makes it quite unique. The amplifier has a very interesting back panel owing to the number of RCA connectors available. It supports two record players, three auxiliary inputs, two tape monitor sets, one microphone input and two sets of output terminals. And this was well before bi-amping became a trend! Besides the RCA connectors the amplifier provides a DIN input/output connector for the first tape monitor channel and large jacks for the microphone input. It is also a very practical instrument to use. T is a tape copy switch that allows copying between the two tape monitor circuits, in both directions, while listening to another input. T is also a "tone defeat" switch that bypasses the tone controls. The tone controls for bass and treble each have three selectable operating frequencies; the three frequencies are one octave apart. It provides 150, 300 and 600 Hz for the bass control and 1.5, 3 and 6 kHz for the treble control. The control knobs are split so they may be set separately for the left and right channels. The amplifier also provides low and high cut-off frequencies. In an era of rumbling turntables and noisy cassette decks those controls were quite useful indeed. Perhaps the neatest feature is the contour switch that is located on the top of the amplifier case itself; it is hidden from view by the wooden enclosure. This switch provides 0.6 dB gain, linear mode or 0.6 dB attenuation at 250 Hz. This is a very subtle control to adapt speaker behavior to the acoustical properties of the room. Sound: The CL350 is connected to a Quad 405 power amplifier. Some reports note that the 405 sounds dull; well it doesn’t when connected to the CL350. It is a lively combination well suited for classical music (e.g. chamber) at any level, while Pink Floyd requires (a lot) more power. The small built-in phones amplifier (80 mW) is of good quality and easily drives modern headphones. read more

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