Mackie SR24 4 MIXING DESK Excellent condition NO RESERVE, perfect working order

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Welcometo my auction for a MACKIE SR24 4 VLZ. Complete with power lead and brand new goose neck lamp and bulb. Auction starts at £1.00 with no reserve. Not greedy, fight it out between yourselves Please see my other items In absolutely excellent condition and perfect working order, it has had hardly any use over the past 2 years. There are a few very minor marks on the front of the desk, very tiny and if you cannot see them in the pics, that goes to show how tiny they are. PLEASE READ Collection welcome, delivery is £15.00 by signed for overnight courier service, fully tracked. Item will be wrapped properly and secure. Having a studio clearout over the next few weeks, other items on here now and more to come soon including Access Virus Ti2, brand new Minimoog voyager, Alesis, Roland, Korg, M Audio etc etc. Payment by cash, cheque, paypal or banking transfer. PLEASE NOTE:- This item MUST BE PAID FOR BY AUGUST THE 29 th . Thank you for looking, any questions, feel free to e mail or telephone . Good look, Steve. THE SR24•4-VLZ PRO is the latest update of our SR24•4 sound reinforcement console, incorporating our ultra-high quality XDR™ (Extended Dynamic Range) mic preamps with the best RFI rejection of any sound reinforcement mixer design on the market. Like all Mackie mixers, the SR24•4-VLZ PRO is designed for rugged, 24-hour-a-day use. With its multiple input/ output configurations, true 4-bus architecture, 6 aux sends, and extensive routing capabilities, it can be used in a variety of live sound and recording applications. Its sturdy steel construction houses rugged, double-sided SMT-plated fiberglass circuit boards, and 60 mm faders with ultra-tight lip seals for keeping out dust and other contaminants. Impact-resistant knobs are mounted so they “ride” just above the steel chassis. The SR24•4-VLZ PRO has 20 mono mic/line input channels, with XLR mic inputs and 1/4" TRS line inputs, and 2 stereo line input channels with 1/4" TRS inputs. All mono channels have TRS insert jacks (tip = send, ring = return). Each channel strip has an input trim, 6 aux sends (2 prefader, 2 post-fader, and 2 switchable pre or post), 3-band EQ with sweepable midrange (4-band EQ on the stereo channels), pan control, and mute, solo, and bus assign switches. A 60 mm fader provides output gain for each channel. Twenty XDR mic preamps provide high-headroom and low-noise. They are impedance-independent, so the frequency response remains constant whether the mic preamp is presented with an extremely high- or low-impedance load. Additionally, each channel has its own switchable low-cut filter (18 dB/octave @ 75 Hz). The mono channel EQs provide a range of ±15 dB at the following frequencies: 12 kHz shelving high-frequency EQ, 100 Hz to 8 kHz sweepable peaking mid-frequency EQ, and 80 Hz shelving low-frequency EQ. The stereo channels (21-24) provide ±15 dB of boost and cut at the following frequencies: 12 kHz shelving high-frequency EQ, 3 kHz peaking high-mid frequency EQ, 800 Hz peaking low-mid frequency EQ, and 80 Hz shelving low-frequency EQ. Channels can be assigned to buses 1-2, 3-4, and Main Mix L/R, and the 4 subs can be assigned to Left and Right Main Mix. Furthermore, each bus is “double-bused,” providing eight outputs that can be connected to an 8-track recorder without repatching. Each sub out (1-4) and main out (L/R) has a TRS insert jack. Furthermore, Mackie’s unique “AIR” EQ circuit is included on each of the four subgroups. It provides a gentle nudge to the extreme high-end, without affecting lower treble octaves. Outputs include XLR and 1/4" TRS line outputs for the left and right mains, 1/4" TRS line outputs for subs 1-4, and an XLR mono main output. The mono main out has its own level control, so a mono mix can be sent to another zone and adjusted accordingly. The Phones/Contr... read more

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