MASH PILOT TV SCRIPT SIGNED RPT BY 11x CAST-1st Show!!

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M*A*S*H - PILOT EPISODE This is a COLOR COPY of the ENTIRE script. These autographs are of the following cast members: ALAN ALDA, JAMIE FARR, HARRY MORGAN, LORETTA SWIT, BILL CHRISTOPHER, MIKE FARRELL, DAVID OGDEN STIERS, GARY BURGHOFF, MCLEAN STEVENSON, WAYNE ROGERS & LARRY LINVILLE ********************************************************************************** T.V Episode: The Pilot Episode (Production Code J301) Originally Aired: September 17 , 1972 Writer: Larry Gelbart Director: Gene Reynolds Draft: Revised Final Draft dated December 8, 1971 Page Count: 39 pages Based on the 1968 novel by Richard Hooker and the 1970 movie of the same name, M*A*S*H aired from September 17, 1972 to February 21st, 1983 for 251 episodes, and has become one of the most celebrated television series in the history of the medium. During its initial season, however, M*A*S*H was in danger of being canceled due to low ratings. The show reached the top ten program list the following year, and never fell out of the top twenty rated programs during the remainder of its run. The final episode of M*A*S*H was a two and one half hour special that attracted the largest audience to ever view a single television program episode. In many was the series set the standard for some of the best programming to appear later. The show used multiple plot lines in a half-hour episodes, usually with at least one story in the comedic vein and another dramatic. Some later versions of this form, e.g. Hooperman (1987-1989) and The Days and Nights of Molly Dodd (1987-1989), would be known as the dramady, half-hour programs incorporating elements of both comedy and drama. Other comedies would forgo the more serious aspects of M*A*S*H, but maintain its focus on character and motive. And some dramatic programming, such as St. Elsew and Moonlighting would draw on the mixture of elements to distinguish themselves from more conventional television. M*A*S*H was set in South Korea, near Seoul, during the Korean War. The series focused on the group of doctors and nurses whose job was to heal the wounded who arrived at this "Mobile Army Surgical Hospital" by helicopter, ambulance or bus. The hospital compound was isolated from the rest of the world. One road ran through the camp; a mountain blocked one perimeter and a minefield the other. the wounded were patched up and sent home--or back to the front. , too, the loyal audience came to know and respond to an exceptional ensemble cast of characters. M*A*S*H was one of the most innovative sitcoms of the 1970s and 1980s. Its stylistic flair and narrative mix drew critical acclaim, while the solid writing and vitally drawn characters helped the series maintain high ratings. The show also made stars of it performers, none more so than Alda, who went on to a successful career in film. The popularity of M*A*S*H was quite evident in the 1978-79 season. CBS aired new episodes during primetime on Monday and programmed reruns of the series in the daytime and on Thursday late night, giving the show a remarkable seven appearances on a single network in a five day period. The series produced one unsuccessful spin-off, AfterMASH, which aired on CBS from 1983-85. The true popularity of M*A*S*H can still be seen, for the series is one of the most widely syndicated series throughout the world. Despite the historical setting, the characters and issues in this series remain fresh, funny and compelling in ways that continue to stand as excellent television. These scripts are in their original standard screenplay format as typed by the writer or the studio--none of the scripts that we offer is ever incorrectly formatted on the page. Signatures are preprints taken from our inventory of original signatures. All scripts are industry standard and preprinted on 8.5x11" paper, 3-hole punch, and bound by three brass brads. All scripts offered are of various drafts (from early to late... read more

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