Music violin - Autograph of Russian-American violinist Jascha Heifetz in 1949 SP

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Item description: Outstanding photo nicely inscribed and signed by Jascha Heifetz, famous Russian-born American violinist, universally acclaimed as the performer of the century and owner of the greatest technique in violin history.It was dedicated in 1949, in California, to a known Cuban lady, collector of music autographs, named Maria Antonieta.Item dimensions : 10 per 8 inches. Item provenance: All our offers are 100 % original, never reproductions.This item in particular is part of a big collection of photos and autographs acquired by a collector while he was serving as a diplomatic in Havana city. Item condition: Please, pay close attention to the large image included and judge by yourself. Our main interest is to show the real condition of our offer in the best possible way. In this kind of item a good image carefully examined is worth more than a thousand words. Some words about this great figure: Jascha Heifetz, great Russian-born American violinist (born Vilnius, Feb. 2, 1899- died Los Angeles, Dec. 10, 1987) universally acclaimed as the violinist of the century and owner of the greatest technique in history, studied with Ilya Malkin at the Vilnius Music School, and played in public before he was 5 years old. In 1910 he was taken by his father to St. Petersburg, and entered the Conservatory there in the class of Nalbandian; after a few months, he was accepted as a pupil by Leopold Auer. He gave his first public concert in St. Petersburg on April 30, 1911. The following year, with a letter of recommendation from Auer, he went to Berlin; his first concert there (May 24, 1912), in the large hall of the Hochschule für Musik, attracted great attention: Artur Nikisch engaged him to play the Tchaikovsky Concerto with the Berlin Philharmonic (Oct. 28, 1912), but his appearance proved uneventful. He then decided to continue his studies with Auer in St. Petersburg and in Germany. While visiting Auer in Norway in 1916, he played in a joint concert with Toscha Seidel before the king and queen of Norway. After the Russian Revolution of 1917, he went to America, by way of Siberia and the Orient. His debut at Carnegie Hall in N.Y. (Oct. 27, 1917) won for him the highest expression of enthusiasm from the public and in the press. Mischa Elman, the prime violinist of an older generation, attended the concert in the company of the pianist Leopold Godowsky. When Elman complained that it was too hot in the hall, Godowsky retorted, "Not for pianists." Veritable triumphs followed during Heifetz's tour of the U.S., and soon his fame spread all over the world. He made his first London appearance on May 5, 1920; toured Australia (1921), the Orient (1923), Palestine (1926), and South America. He revisited Russia in 1934, and was welcomed enthusiastically. He became a naturalized American citizen in 1925, and made his home in Beverly Hills, Calif. Heifetz made regular tours throughout the world, appearing not only with the foremost orchestras but as a recitalist. As a chamber music artist, he played in trios with Rubinstein and Feuermann, and later with Pennario and Piatigorsky. He taught classes of exceptionally talented pupils at the University of Southern Calif. in Los Angeles (1962-72). In 1974 he made his last public appearance and thereby brought to a close one of the most extraordinary violin careers in history.The Olympian quality of Heifetz's playing was unique in luminous transparency of texture, tonal perfection, and formal equilibrium of phrasing; he never allowed his artistic temperament to superimpose extraneous elements on the music; this inspired tranquillity led some critics to characterize his interpretations as impersonal and detached. Heifetz made numerous arrangements for violin of works by Bach, Vivaldi, and contemporary composers; his most famous transcription is "Hora Staccato" by Grigoraş Dinicu, made into a virtuoso piece by adroit ornamentation and rhythmic elaboration. In his desire to promote modern music, he commissioned a number of composers ... read more

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