VIDAL CORONA Etched Snakes Mata Ortiz Pottery NR

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VIDAL CORONA Etched Snakes Mata Ortiz Pottery NR

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Sold Date: 11/03/2007
Channel: Online Auction
Source: eBay
Category: Ethnic, Folk & Native American Art

VIDAL CORONA GUILLEN: DOLPHINS ETCHED AND PAINTED ON RED/BROWN CLAY

Vidal is the brother of Abelina and Jorge Corona, and is the half brother Hilario and Mauro Corona Quezada who was his mentor. His wife, Luz Elva Gutierrez, a master potter in her own right, often assists him in his quest to be ever inventive in his art.

Vidal lives in Mata Ortiz. His art is impeccable and unique. This olla is amazingly adorned with a pair of perfectly balanced snakes chasing rabbits etched and painted on the walls of this unique olla. All bare space is scalloped very lightly with snake scale shapes. His lines both etched and painted are sharp. Vidal's olla construction is clean and symmetrical - he often constructs ollas for others in the village who prefer only to paint. This piece is flawless. The work involved is tremendous. The effect is simple beauty.

6 inches tall with a girth at the widest point of 16 1/4". It's diameter is 5 1/4". Signed by Vidal Corona.

The $13.95 domestic shipping fee includes professional packing and insurance. This is a truly fine piece of Mata Ortiz pottery at a very low price. Bid confidently on this fresh artistic treasure that would retail for $199.00 to $299.00 in fine gift stores and galleries.

This remarkable thin-walled fine art was hand-formed (without the use of a potter's wheel) from locally dug clay, hand painted with natural mineral or plant colors and fired over open ground (not in a kiln). The fine pottery resulting from these ancient methods are a strong reminder of the amazing power of Mata Ortiz creativity and skills.

(The foregoing is from Wikipedia) The small village of Mata Ortiz, near the ancient ruins of Casas Grandes in the northern part of the Mexican state of Chihuahua, has seen a revival of an ancient Mesoamerican pottery tradition. Modern potters are producing work inspired by pottery from the ancient city of Paquime, which traded as far north as New Mexico and Arizona and throughout northern Mexico. This new artistic movement is due to the efforts of Juan Quezada, the self-taught originator of modern Mata Ortiz pottery, his extended family and neighbors. Mata Ortiz pots are hand built without the use of a potter's wheel. Shaping, polishing and painting the clay is entirely done by hand, often with brushes made from children's hair. All materials and tools originate from supplies that are readily available locally. The preferred fuel for the low temperature firing is grass-fed cow manure or split wood. Each of these characteristics derive from the ancient pottery traditions of the region, however Mata Ortiz ware incorporates elements of contemporary design and decoration and each potter or pottery family produces distinctive individualized ware.

Young clay workers from surrounding areas have been attracted to the Mata Ortiz revival and have joined Quezada and his associates. New potting families developed and the art movement continues to expand. A vibrant flow of new ideas, without the restraints of traditional practices or gender constraints, has enabled the pottery of Mata Ortiz to avoid derivative repetition common to folk art movements. This blend of cultural expression, economic need and artistic freedom has produced a unique artistic movement in the community.

In 1976, anthropologist Spencer MacCallum visited Mata Ortiz and met Juan Quezada and his extended family of brothers, sisters, their children and neighbors. This group of artisans are the core of this now thriving pottery movement. Information published after this and later visits quickly promoted the acceptance of Mata Ortiz pottery as a contemporary art form. This simple pottery is accepted and admired as a legitimate folk art, and has become highly collectable.

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