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"His drum-bass thing was dope. Coming from Detroit, that's what it is anyway. He had a real understanding of harmony and melodies, but he still had the b-boy aesthetic and the hip-hop aesthetic." —Q-Tip Public Enemy's Bomb Squad
"I started bringin' out all my records, all my little breakbeats. Eric was a Prince head. So he knew how to program Linn drum machines. I started playin' him some Stax grooves. I said, 'This is the vibration that we're gonna work on.'" —Hank Shocklee Kool Herc vs. Pete DJ Jones
"One of the baddest DJs I ever saw was Grandmaster Flowers," Pete DJ Jones says. "He could blend. He was a mixer. The things he did with records were incredible. He was the baddest thing I had ever saw." That was until he saw Grandmaster Flash. Also Includes: Re:Discovery We rediscover U.K.'s Atorie, NY's Fantasy Three, South Carolina's Genius Productions, Britain's Section 25, and the obscure electro of TWR Production. Obituary Life magazine's preeminent Black photographer Gordon Parks directed 1971's classic film Shaft .The Name Game Tanya Morgan is a hip-hop group. Up North Trip The untold saga of J Rock's Streetwize .Funky Vows Thes One's matrimonial mixtape. Blur of Sound Four Tet selects records from across the board. In the Trunk Bay Area hip-hop and the rise of hyphy. The Flyer King Buddy Esquire and the art of the show. Bomb the Suburbs Adelphi University radio station WBAU put Strong Island on the map. Academic Archive The soul of Hank Shocklee. 12 x 12: The Breaks Monkone picks 12 b-boy classics. With These Hands Life Lessons with Dilla by Questlove Audio Heritage An Archival Perspective on Recorded Media
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