Lichtenstein’s ‘I Can See The Whole Room! … And There’s Nobody In It!’ Fetches $43M
Roy Lichtenstein’s, “I Can See the Whole Room … and There’s Nobody in It!” set a new auction record of $43,202,500—a new world record for the artists—at an auction at Christie’s on Nov. 8, 2011.
NEW YORK – Roy Lichtenstein’s, “I Can See the Whole Room … and There’s Nobody in It!” set a new auction record of $43,202,500—a new world record for the artists—at Christie’s Post-War and Contemporary Art Evening Sale on Nov. 8. The piece was the top lot in the sale, which achieved $247,597,000.
The sale, which also included the first part of the Peter Norton Collection, demonstrated the continuing appeal of this category among collectors worldwide, Christie’s officials said. Thirty-three works sold for more than the $1 million mark and 16 new world auction records were established for artists including Lichtenstein, Paul McCarthy, Charles Ray, Louise Bourgeois, among others.
Lichtenstein’s “I Can See the Whole Room…,” painted in 1961, is one of the earliest and most important of Lichtenstein’s Pop Art pictures. The piece was formerly in the collection of the pioneering collectors Emily and Burton Tremaine. The previous record for a Lichtenstein work was for “Ohhh … Alright…” (1964), which sold at Christie’s New York in November 2010 for $42.6 million.
“This is an extremely strong sale result, with great depth of bidding across multiple genres and periods, from the great giants of Pop Art to the strongest artists of the 1990s and the 2000s,” said Brett Gorvy, chairman and international head of Post-War and Contemporary Art at Christie’s. “The world’s top ten collectors were present in the saleroom tonight, and a global community of collectors was bidding aggressively on works by the pre-eminent artists in this category—from Lichtenstein to Bourgeois, Ligon to McCarthy, Gursky to Ray. We are delighted to report more than a dozen new records for many well-deserving artists, and a new top price for any photograph sold at auction.”
Paul McCarthy’s “Tomato Head (Green),” a life-size re-interpretation of a child’s toy, with interchangeable body parts, sold for $4,562,500 after a bidding battle involving multiple collectors.
The sale got off to a strong start with Part I of the Collection of Peter Norton, the Los Angeles collector and software entrepreneur. Eager bidders snapped up each one of the 26 lots offered, driving prices to new auction records for nine artists. The star lot of the Collection was Paul McCarthy’s “Tomato Head (Green),” a life-size re-interpretation of a child’s toy, with interchangeable body parts. After a bidding battle involving multiple clients in the room and on the phone, the work sold for $4,562,500, setting a new auction record for the artist.
Further highlights from the Peter Norton Collection included Robert Gober’s “Prison Window,” an installation work, which sold for $3,386,500, and Charles Ray’s Table, a multimedia sculpture, which fetched $3,106,500—a new world auction record for the artist. The collection also featured the provocateur Maurizio Cattelan, whose “Untitled,” a miniature replica of a commercial elevator, achieved $1,022,500.
In the main portion of the Evening Sale, strong prices were achieved for Mark Rothko’s “White Cloud,” which sold for $18,562,500, and two works by Andy Warhol: “Silver Liz,” a luminous portrait of Elizabeth Taylor, which sold for $16,322,500, and “Four Campbell’s Soup Cans,” painted in 1962, which realized $9,826,500.
Among the themes and trends that emerged during the sale was the strong demand for works by top women artists, led by Louise Bourgeois, Sophie Calle, Barbara Kruger, Vija Clemins, Kara Walker and Mona Hatoum. Louise Bourgeois’s 21-foot wide bronze, Spider, soared beyond its pre-sale estimate of $4-6 million to achieve a new world auction record for the artist at $10,722,500.
In addition to the new world auction records for Lichtenstein and Bourgeois, new records were established for the following artists, including:
• Barbara Kruger – $902,500 for “Untitled (When I hear the word culture I take out my checkbook),” 1985
• Paul McCarthy – $4,562,500 for “Tomato Head (Green),” 1994
• Glenn Ligon – $1,178,500 for “Untitled (Stranger in the Village #17),” 2000
• Mona Hatoum – $470,500 for “Silence” executed in 1994.
• Sophie Calle – $218,500 for “The Sleepers (Les dormeurs),” executed in 1979
• Charles Ray – $3,106,500 for “Table,” plexiglas and steel, executed in 1990
• Yinka Shonibare MBE – $194,500 for “Hound,” executed in 2000
• Christian Marclay – $266,500 for “Guitar Neck,” executed in 1992
• Fred Tomaselli – $1,650,500 for “Untitled (Expulsion),” executed in 2000
• Vija Celmins – $902,500 for “Sea Drawing with Whale,” circa 1969
• Andreas Gursky – $4,338,500 for “Rhein II,” executed in 1999 (world auction record for any photograph sold at auction)
Additional records were established for a specific medium, including:
• Alexander Calder – $4,786,500 for “Sumac,” executed in 1961 (world auction record for a mobile by the artist);
• Jean Dubuffet – $1,202,500 for “Canotin” mâche oeil, executed in 1967 (world auction record for a sculpture by the artist);
• Wayne Thibaud – $1,650,500 for “Sixteen Pies,” executed in 1965 (world auction record for a work on paper by the artist).
For more information about the Post-War and Contemporary Art sales, visit the Christie’s website.
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