Gentle Art of Faking Furniture, Herbert Cescinsky

possible. ~ This book has been written in the manner of a signpost, which points the way to a place but does not go there. If the reader have the idea that it is possible to acquire an accurate and comprehensive knowledge of faking and its detection from the following pages, without further reinforcement by way of technical experience and long and keen observation of many examples of English furniture and woodwork, then he, or she, will be disappointed. So much should be obvious, but the obvious is not always apparent.

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Table of Contents:

COVER

PREFACE

CONTENTS

CHAPTER I - INTRODUCTORY

CHAPTER II - ABOUT FAKES IN GENERAL

CHAPTER III - THE GENUINE ANTIQUE AND ITS MERITS

CHAPTER III - THE GENUINE ANTIQUE AND ITS MERITS

CHAPTER IV - THE WOODWORKER OF THE OLDEN TIME

CHAPTER V - DETECTIVE METHODS AND THE PROBLEM OF RESTORATION

CHAPTER VI - EARLY OAK FURNITURE AND WOODWORK

CHAPTER VII - OAK PANELLINGS AND WOODWORK

CHAPTER VIII - OAK FURNITURE OF THE SEVENTEENTH CENTURY

CHAPTER IX - THE LARGE PANEL IN ENGLISH WOODWORK

CHAPTER X WALNUT FURNITURE FROM 1660 To 1700

CHAPTER XI - MARQUETERIE FURNITURE

CHAPTER XII - LACQUER WORK

CHAPTER XIII - NEEDLEWORK AND STUMP-WORK

CHAPTER XIV - QUEEN ANNE AND GEORGIAN WALNUT

CHAPTER XV - MAHOGANY FURNITURE

CHAPTER XVI - THE WORK OF THE CHIPPENDALE SCHOOL

CHAPTER XVII - FURNITURE OF THE HEPPLEWHITE SCHOOL

CHAPTER XVIII - FURNITURE OF THE SHERATON SCHOOL

CHAPTER XIX - ENGLISH WALL MIRRORS

CHAPTER XX - LONG-CASE AND BRACKET CLOCKS

CHAPTER XXI - DISCURSIVE AND CONCLUSIVE

INDEX