1850, Rochester, N.Y; G. A. Gooding to Marquis DeLafayette Lane, re: ethics
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In this 1850 letter Gustavus Adolphus Gooding, Rochester, NY writes to his friend Marquis De Lafayette Lane in Boston. Both men were 1849 graduates of Dartmouth College. He talks a disagreement with money and a common woman friend named Olive...and that virtue should play out...kick a man that's poor and go post haste to the Devil, and I say let them go, it is the best place for them...we are having the Monroe County fair...see what the people in this section of the world do for a living.....the woman are just as the model Powers took as his slave in the exhibition....it is not a sight for all the world....shall you go to see Jenny Lind when she comes to Boston?...isn't that running the thing into the ground, paying such adoration to a womansigned on second page G.A.Gooding. Letter is two pages, folds, else in overall very good condition. The sculpture by Hiram Powers was perhaps the most popular American work of art at mid-century. Over one hundred thousand people paid to see it during its 1847-1848 tour around the country. Powers himself supplied this gloss on the statue's sensational subject--a woman on sale as a sexual object. On the whole, however, American responses to the statue were silent about any relationship between Greek slaves and American slavery, even when it was exhibited in Southern cities like New Orleans. As the
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