Bronze Elk Sculpture Pacific Creek Dandy RMEF Signed Barye Statue Art Sculpture

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Bronze Elk Sculpture Pacific Creek Dandy RMEF Signed Barye Statue Art Sculpture Condition :This sculpture is in a perfect condition. Bronze Dimensions with Marble Base:Height 10" x Width 11" Marble Dimensions: Diameter 8" Height without base: 9" Weight : 7 LBS Inventory 18DW0622089 This elk stands tall and straight as he lets out a mating call. His antlers are full grown and are quite impressive to the ladies. He has a thick neck, strong legs, and a nice build this is something that will definitely impress a doe. He lifts his head and lets out a mating call his lips move allowing you to see his tongue. This sculpture is very well detailed and has a brown patina. This bronze sculpture was cast using the “Lost Wax Method” and has a brown patina. It is mounted on a marble base and is handmade. This sculpture is signed by Barye . Antoine Louis Barye was born in France September 24 th , 1796 and he died 1875. Most of his work was focused exclusively on animals, most of them wild. He was considered and Animalier, a sculptor whose works are mostly animals. Barye is a very accomplished sculptor and artist, he has exhibited some of his works in the Salon and some of his works reside in the Lourve. Bronze Sculpture Casting Tour The process of bringing a bronze sculpture to life using the lost-wax method is something you'll appreciate after taking this tour- Enjoy The Lost Wax Casting Process Here Artist original clay sculpture is nearly ready for the foundry. Note the artist is still adding the finishing touches.Most sculptors prefer to work with clay or wax; some however, do use wood and other mediums. Here the finished original clay is now complete. The sculptor will take it to the foundry now, get a bid then begin the first stages of the lost wax process.The first step can be shocking for some as they begin to decide how this original will be cut up.In order to prepare the original clay sculpture for molding, it will be dissected by cutting the clay with wire and by cutting the armature with a saw. The armature is what helped support the clay in place while the artist was creating it. Note the registration marks which later in the process will serve to realign the parts.Shown here are the sections of the original clay sculpture after having been dissected.Now the various parts of the original are carefully mounted on clay plugs before the rubber mold material is applied. The clay plug later serves as a pour spout for the mold.As you can see now they begin painting the latex rubber onto the original together with the clay plus that's been added in layers. Notice the shim line that will alter serve as a separation line for dividing the mold in half.A lock and tab system has been applied (see the edge) so that the mold will be able to be opened and closed securely. Once the rubber mold has been completed, a plaster or fiberglass "mother" mold is applied to the outside which will preserve the integrity of the rubber mold.The "mother" mold is now complete, the next step is to separate the two halves of the mold and remove the original from inside.The next step is to remove the artists' original and reassemble the clean, empty mold. Now a way pattern will be poured by building several layers of the hot wax within the rubber mold. A layer is poured, allowed to dry until there is about a 1/4 inch thick wax pattern made of the artists' original. It is very important to note that the wax pattern is a hollow duplicate of the artists' original.Now the wax pattern is taken to the wax "chasing" room of the foundry. Here much time is dedicated to the restoration of the wax pattern to the exact likeness of the artist original. All bubbles and imperfections are "chased" away in this process.Eventually there will need to be a way for the hot, molten bronze to funnel its way into a ceramic type mold, shown here the wax pattern is sprued and mounted on a wax cup. The red spures serve as gates and vents later in the process.Notice the ... read more

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