GREAT RUSSIAN BALLERINA ANNA PAVLOVA 1881-1931 BALLET RUSSE RARE 1923 PROGRAM

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A rare original program circa 1923 for the great Russian born ballet dancer Anna Pavlova and her Ballet Russe at the Manhattan Opera House, New York, performing The Enchanted Lake and The Fairy Doll. Along with Marie Taglioni, Fanny Elssler, and Isadora Duncan, Pavlova is one of the greatest names in the history of dance. Dimensions eight and a half by five and three quarters inches. Light wear otherwise good. See Anna Pavlova's extraordinary biography below.Ships first class insured in US and Airmail overseas. Shipping discounts for multiple purchases. Credit cards accepted with Paypal. Inquiries always welcome. Please visit my other eBay items for more early theatre and historical autographs, photographs and programs and great singer, actor and actress cabinet photos and CDV's.From Wikipedia:Anna Pavlovna (Matveyevna) Pavlova ( Russian : Анна Павловна (Матвеевна) Павлова ; February 12 [ O.S. January 31] 1881 -- January 23, 1931) was a Russian prima ballerina of the late 19th and the early 20th centuries. She was a principal artist of the Imperial Russian Ballet and the Ballets Russes of Sergei Diaghilev . Pavlova is most recognized for the creation of the role The Dying Swan and, with her own company, became the first ballerina to tour ballet around the world.Anna Pavlovna (Matveyevna) Pavlova was born on February 12, 1881 in Ligovo , Saint Petersburg , Russia to unwed parents. Her mother, Lyubov Feodorovna, was a laundress. Her father was rumoured to have been Jewish (some sources, including The Saint Petersburg Gazette , state that her biological father was the banker Lazar Polyakov ). [1] Her mother's second husband, Matvey Pavlov, is believed to have adopted her at the age of three, by which she acquired his last name.Pavlova's passion for the art of ballet was ignited when her mother took her to a performance of Marius Petipa 's original production of The Sleeping Beauty at the Imperial Maryinsky Theater . The lavish spectacle made an impression on Pavlova. At the age of nine, her mother took her to audition for the renowned Imperial Ballet School . Because of her youth, and what was considered her "sickly" appearance, she was not chosen. In 1891, she was finally accepted at the age of 10. She appeared for the first time on stage in Marius Petipa 's Un conte de fées ( A Fairy Tale ), which the ballet master staged for the students of the school.Young Pavlova's years of training were difficult. Classical ballet did not come easily to her. Her severely arched feet, thin ankles, and long limbs clashed with the small and compact body in favour for the ballerina at the time. Her fellow students taunted her with such nicknames as The broom and La petite sauvage (The little savage). Undeterred, Pavlova trained to improve her technique. She would practice and practice after learning a step. She took extra lessons from the noted teachers of the day-- Christian Johansson , Pavel Gerdt , Nikolai Legat --and from Enrico Cecchetti , considered the greatest ballet virtuoso of the time and founder of the Cecchetti method , a very influential ballet technique used to this day. In 1898, she entered the classe de perfection of Ekaterina Vazem , former Prima ballerina of the Saint Petersburg Imperial Theatres.During her final year at the Imperial Ballet School, she performed many roles with the principal company. She graduated in 1899 at age 18, chosen to enter the Imperial Ballet a rank ahead of corps de ballet as a coryphée . She made her official début at the Mariinsky Theatre in Pavel Gerdt's Les Dryades prétendues ( The False Dryads ). Her performance drew praise from the critics, particularly the great critic and historian Nikolai Bezobrazov.CareerAt the height of Petipa's strict academicism, the public was taken aback by Pavlova's style, a combination of a gift that paid little heed to academic rules: she frequently performed with bent knees, bad turnout, misplaced port de bras and incorrectly placed tours . Such a style in many ways harked back to the time of the romantic ballet and the great... read more

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