Handcrafted bronze sculpture SALE Camel Riding Man Arab Bergman Vienna Signed

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Handcrafted bronze sculpture SALE Camel Riding Man Arab Bergman Vienna Signed EUROPEANBRONZEHandcrafted bronze sculpture SALE Camel Riding Man Arab Bergman Vienna SignedDescription After Years Of Traveling The Desert With His Faithful Camel The Two Of Them Are Inseparable. The Camel Does Not Mind One Bit That His Owner Is Perched On Top Of Him As He Takes A Rest. The Camel Is Saddled Up And Has An Intricate Blanket Draped Over The Top Of Him. His Owner Sits On Top Of Him And Crosses His Legs Which He Rests One Of His Arms On. He Takes Off One Of His Sleeves And Lets His Body Get Some Fresh Air. This Bronze Sculpture Has A Lot Of Miniscule Details, So Every Time You Look At The Sculpture You Will Find Something New. This Bronze Sculpture Was Cast Using The ?Lost Wax Method? And Has A Brown Patina. It Is Mounted On A Marble Base And Is Handmade And Is Signed Bergman.The Art of Lost WaxLost wax casting has been around for thousands of years, yet few people understand how the process actually works.Although mechanization has facilitated the lost wax process of bronze casting, the procedure is basically the same as that used by the Chinese when they first developed the process in the 2nd millennium BC.The Rubber MoldFirst the artist creates an original sculpture out of any number of media, including stone, wax, clay, wood and pottery. This image is coated with a silicone rubber molding material that makes two rubber mold halves (each rubber mold has a front and a back piece). A fiberglass outer shell is added to the back of each mold so it retains its shape and rigidity during subsequent uses.These molds are the only components that are ever re-used in the casting process. All other components are re-created for each casting.The Wax PositiveOnce the molds are done, the insides are coated with layers of wax. The halves are then bound together and wax poured inside to complete the wax image being created.Once the wax has cooled, the mold is peeled away, yielding a wax image (the wax positive") duplicating the original sculpture.This image must then be "touched -up" to remove any seam lines, scratches or other flaws, as well as to recreate any pattern or texturing that was lost or damaged when the wax was made.The quality of the finished bronze relies on a clean, high quality mold and an impeccably recreated wax image that is as near to perfect as possible.GatingThe next step, "gating", is the application of a series of tubes and funnels that allow the molten bronze to flow through to the bottom of the ceramic shell and the hot gases to escape at the same time.These sprus are created by attaching wax rods to the finished wax form at strategically spaced locations.Ceramic Shell CastingAfter the gating is completed each wax form is dipped in a liquid ceramic silica-sand compound so it is completely coated inside and out. Holes called "patches" have been cut into the wax to allow an entrance to the inside of the form.The form is subsequently dipped 6 to 12 or more times over a period of several days until the desired shell thickness is achieved.Lost WaxOnce these ceramic shells have dried thoroughly the pieces are placed into an autoclave and the wax is melted out (hence the term "lost wax"), to be reclaimed and used again. The shells are then cured in a kiln so they will withstand the temperature of the molten bronze being poured into them.The PourBronze ingots are melted to a temperature of approximately 2000°F and poured into the cured ceramic shells.As the sculpture cools the ceramic shell begins to pop away from the bronze.This shell will be completely broken away, using a hammer and chisel, before the superfluous metal materials are cut away.SandblastingThe casting is then sandblasted in preparation for metal finishing.Any pieces of a sculpture that were cast separately are welded back onto the sculpture and any seam lines or other imperfections are removed or "c... read more

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