Jean Bazaine, Pencil Signed, and Numbered, Lithograph, [Seascape]

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This is a lovely seascape by the important School of Paris painter Jean Bazaine. It is a lithograph, signed and numbered in pencil. The image is 14 1/2" x 18," inside the thin mat. The work is in an appropriate blond wood frame which measures 16 3/4" x 20 3/4." It also in protected by plexiglas rather than glass. The work is signed in pencil and dated '57 lower right and is numbered 132/150 lower left. It is in fine condition.The only issues are a very small tan spot(photo #5) in the upper right, which is not very noticeable, and has no central dark area and thus, I think it is native to the paper rather than a mold issue. There is a 1" vertical line in the lower center(photo #6) which could be ink or a tiny cut that occurred during printing. I had to use a magnifying glass to inspect it. Otherwise it is in excellent condition. Jean Bazaine was born in 1904. He attended the Académie Julian in 1922 and later worked with the sculptor Paul Landowski. He studied Art history at the Sorbonne and began to paint in 1924, drawing at the Louvre or from nature. Following his first exhibition, held in 1932, he received strong encouragement from Bonnard. Bazaine first directed his research towards still lifes, the human figure, landscapes and trees, before becoming interested in the four elements (water, earth, fire, air) which are at the origin the world. His works always kept a link with the real, which is why he refused pure abstraction. In his 'Notes on painting of our day' he wrote: "One must situate oneself at the intersection of all sensations, of all sentiments: there the secret of the universe lies. This is why I refuse pure abstraction." With André Lejard he organized in 1941, despite official condemnations of "degenerate art", the exhibition "Twenty young painters of the French tradition", which included works by Maurice Esteve, Charles Lapicque, Jean Le Moal, Alfred Manessier, Edouard Pignon, Gustave Singier. Under the guise of the term ‘tradition’, these artists escaped censorship by Vichy, although their non-figurative paintings were far from it. The collective exhibition "Twelve painters of today" held at the Galerie de France in 1943 presented works by Bazaine, Bores, Chauvin, Esteve, Fougeron, Gischia, Lapicque, Le Moal, Gable, Singier, Villon, Lautrec, Tal-Coat; despite their aesthetic differences, this group of artists would become known as the New School of Paris. Bazaine’s painting slowly moved away from constructed form to a dissolution of line in favor of light and in a sort of accordance with the major natural rhythms. He did not limit himself to painting, but also adopted other techniques such as stained glass and mosaic. He produced stained glass windows for the church of Assy (1943-1944), the baptistery of the sacre-coeur church in Audincourt (1954) or even the cathedral of Saint-Die (1984-1986, Vosges), among others. Stained glass was a medium that Bazaine particularly appreciated for its interaction with light. In 1951 he created a monumental mosaic for the façade of the Sacre-coeur church in Audincourt, in 1959-1960 for the UNESCO building in Paris and in 1963 for the Maison de la Radio in Paris, among others. He also created a mosaic for the Senate (Luxembourg Palace, Paris) in 1970, as well as the enamelled lava decoration for the walls and ceiling of the subway station "Cluny-La Sorbonne." He passed away in Clamart in 2001. In 2005 his work was presented in the exhibition "Lyrical Flight" held at the Luxembourg Museum alongside works by Soulages or Schneider. BAZAINE, Jean (21st December, 1904 - 4th March 2001) Born in Paris and grew up at Forges (lle-de-France). Worked at sculpture while attending the university; after taking his degree (Licence ès lettres) he enrolled in the Ecole des Beaux-Arts, Paris. After 1924 he devoted himself entirely to painting and attended classes at the Académie Julian. His first exhibition was held at the Galerie Van Leer, Paris, in 1932; thereafter, until the outbreak of war, he exhibited at the Galerie Jeanne ... read more

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