MATT MARRIOTT - ORIGINAL ART DAILY #49 - TONY WEARE ART

Pricing & History

Sold for
Start Free Trial or Sign In to see what it's worth.
Sold Date
Source eBay

MATT MARRIOTT - ORIGINAL ARTDAILY #49--TONY WEARE ART. This long standing British comic, quiteprobably the best western strip ever created, is a true classic.....Unlike it's tame 10-gallon hat, "awww, shucks ma'am" American cousins, the Matt Marriott tales were brutal and realistic. The stories were creative, compelling, cut close to the bone and served as a perfect backdrop for Weare's art. ...........Original Tony Weare art for Matt Marriott was some of the most difficult art to find in comics. Well, I'm offering some here......................This is a solid daily from the story " Sheriff Hayden" This is a tale of murder and wrongful imprisonment. From the middle section of the story, the art features the beginnings of Doc Burnside's crusade to seek justice for Matt and Powder, showing Doc and the first appearance of attorney Myron Glick, the only Jewish character in the entire 20 year run of the strip. After the death of and his dance hall girlfriend/mistress Berte, Sheriff Hayden Muller has forced Matt and Powder into jail after planting evidence that will point to their guilt for the crime.......................................................................................................................................................................................................................For those of you unfamiliar with either the strip or Weare's art, here's what David Lloyd wrote: "The late Tony Weare drew Matt Marriott in the London Evening News from 1957 to1977. Written by Jim Edgar, it was the finest and most atmospheric newspaper strip about the American Wild West that has ever been produced . Tony, as one of just a very few strip artists here and in the US whose creative identities owed nothing to the heritage of stylization which influenced many other newspaper adventure strip creators - he was primarily an illustrator who just happened to love drawing strips. His style on Marriott was that of a sketch artist - a portrayer of the instant. It was naturalistic, raw, and unsophisticated - perfect for depicting the primitive quality of a realistic-looking Wild West. One of his major strengths as a strip artist lay in his consistently creative compositions. If we look through the three-frame strips that make up the Matt Marriott stories we see no evidence of the repeated formulas of picture design which some strip artists use. Because of the sheer weight of material most of these craftsmen have to produce , easy options in picture composition are often sought by them and repeated to ease the burden of emitting a constant stream of new layouts ; but when we look at Tony's work it's as if we're just watching people going about their business through a lens that he has cleverly positioned for us, not viewing figures which are overtly posed for appropriate effect. The way he rendered his drawings reflected this 'realistic' approach to portraying the action, with almost lazily handled brush work and pen cross-hatching. He also had a superb command of light and shade, which promoted the impression that he was drawing something he could see in front of him, rather than something he'd built up from his imagination.The only things Tony ever hated drawing were mechanical objects of any kind, though this antipathy is very difficult for any viewer to detect. As a lifelong nature lover he preferred to draw the organic. This passion for depicting living things above all else, is what gives Tony's work the energy which shines from almost everything he put his brush to. Like all the best artists, he sought to draw only what he loved to draw." ...................Lloyd put his money where his mouth was, coaxing Weare out of retirement to work on V for Vendetta . The Weare art for Matt Marriott is powerful and brusque, his brush describing fully formed, complicated images in quick, direct brush strokes There is white out in word balloons and along some panel borders, a single word dialog paste up and a minor border smudge in the upper left corner (see scans). Otherwise, both the art and the board are in excelle... read more

Items in the Price Guide are obtained exclusively from licensors and partners solely for our members’ research needs.

Flag item for content or copyright

If this item contains incorrect or inappropriate information please contact us here to flag it for review.

If you are the originator/copyright holder of this photo/item and would prefer it be excluded from our community, contact us here for removal.