NADA MAMULA PS 45 rpm EP Bere cura plavi jorgovan BALKAN MUSIC SERBIA Yugoslavia

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Show More - Sell More - Make More Increase sales with slideLynxx!NADA MAMULAYUGOSLAVIAN PICTURE SLEEVE RECORDMUZIKA BALKANA - BALKAN MUSICPS 45 RPM EP RECORD FROM 19??SIDE A: Bere cura plavi jorgovanCudna Jada od Mostara gradaSIDE B: Srce moje izmorenoSrdo moja ne srdi se na meRECORD ISSUED IN THE FORMER YUGOSLAVIARTB EP 12602VINYL = EXLABEL = EXCELLENT, NO WRITING, TAGS OR CUT-OUT HOLES.PICTURE SLEEVE = VERY GOOD WITH MILD WEAR AND RINGMARK. THERE IS SEAM SPLIT AND WEAR ALONG THE BOTTOM AND A FEW TINY TEARS ON THE EDGE.Nada Mamula (9 January 1927 - 11 October 2001) was a Serbian singer, born during the time of the Kingdom of Yugoslavia. She started her career on Radio Beograd, where she passed an audition in 1946 (as Nada Vukićević). In 1946 she delivered her first ever professional performances as Nada Vukićević along with Danica Obrenić and accordionist Voja Trifunović. Soon after marrying Nikola Mamula, she moved to Sarajevo and started to work on Radio Sarajevo. Her first famous sevdalinka was "Ah meraka u večeri rane". She was one of the most popular singers of Yugoslavia in the second half of the twentieth century. Her discography includes two LPs records released by Jugoton, four LPs released in the United States, Canada, the Netherlands, and Bulgaria and a few dozen singles.She died and was buried in Belgrade in 2001. She left over 150 recordings of Bosnian sevdalinka interpretations as well as traditional Serbian songs in the archives of Radio Beograd, Radio Novi Sad and Radio Sarajevo.Her best-known interpretations are: "U đul bašti", "Mujo kuje konja po mjesecu", "Bosno moja", "Omer beže", "Negdje u daljine", "Bere cura plav jorgovan", "Na teferič pošla nana", "Ah meraka u večeri rane" as well as the ever famous unofficial anthem of Sarajevo "Kad ja pođoh na Bembasu".CHECK OUT MY OTHER GREAT SINGERS IN MY EBAY STOREThe music of Southeastern Europe or Balkan music is a type of music distinct from others in Europe. This is definitely because it was influenced by traditional music of Southeastern European ethnic groups and mutual music influences of these ethnic groups. The music is characterised by complex rhythm.The music of the Slavic countries of Southeastern Europe is significantly different from the music of Eastern Europe, which includes the Slavic states of the former USSR. The latter was much more influenced by the common eastern Slavic culture, notably by Kievan Rus and more recently the USSR.Historical musical influencesByzantine medieval musicMain articles: Byzantine musicByzantine (Greek: Βυζαντινή Μουσική), traditional music is associated with the medieval sacred chant of Christian Churches following the Constantinopolitan rite. Its modal system is based on the ancient Greek models. The development of large scale hymnographic forms begins in the fifth century with the rise of the kontakion, a long and elaborate metrical sermon, which finds its acme in the work of St. Romanos the Melodos (sixth century). Heirmoi in syllabic style are gathered in the Heirmologion, a bulky volume which first appeared in the middle of the tenth century and contains over a thousand model troparia arranged into an oktoechos (the eight-mode musical system) and the whole system of Byzantine music which is closely related to the ancient Greek system.Greek musicMain articles: Greek musicGreek folk music includes Demotika, Cretan and Nisiotika, Pontian, Laiko and Rebetiko. Greek music developed around the Balkans as a synthesis of elements of the music of the various areas of the Greek mainland and the Greek islands, with Greek Orthodox ecclesiastical chant, and a reference to music of Crete and Byzantine music. The music of the Aegean Islands, are known for Nisiótika songs; Greek characteristics vary widely. Crete has a well known folk dance tradition; it includes swift dances like pentozalis. Most of the Nisiótika songs are accompanied by Greek musical instruments like: lira, clarinet, guitar and violin. Greek folk dances include Kalamatianos, Syrtos and Sousta.Ottoman musicMain articles: Ottoman musicDimitrie Cantemir was a composer of Ottoman music. any musical instruments were introduced to the Balkans during the time of Ottoman control, but many Ottoman instruments were borrowed by the locals."Balkan" is a Turkish word which means sharp mountains. As this the influence of Mehter and Turkish rhythms and melodies can be seen in Balkan Music. In the 19th century in imitation of the Turkish military bands which replaced the Mehterhane formations of Janissary Turks beginning in 1828. Apparently, as in Turkey, they dethroned the ancient traditional oboe (zurna, zurla, or mizmar) and double-membraned drum ensembles.Pre-modern Balkan musicTraditional Bulgarian musicTraditional folk instruments in Bulgarian music include various kinds of bagpipes (Gaida); drums (tapan); tarambuka; bells; daire; clapper; zilmasha; praportsi. Woodwind diple: zurla; kaval; duduk; dvoyanka; ocarina; accordion. String instrument: arfa lyra; Bulgarian tambura, name is Bulgaria България known as tambura; fiddle; mandolin; guitar and gusle.Traditional Serbian musicThe medieval era in Serbia traditional music. During the Nemanjic dynasty, musicians played an important role in the royal court, and were known as sviralnici, glumci and praskavnici. Other rulers known for the musical patronage included Stefan Dušan, Stefan Lazarević, and Đurađ Branković. Medieval musical instruments included horns, trumpets, lutes, psalteries and cymbals.Derivatives and offshootsGlobe icon.The examples and perspective in this article deal primarily with North America and do not represent a worldwide view of the subject. Please improve this article and discuss the issue on the talk page. (October 2011)Progressive Balkan folkProgressive Balkan folk has seen rise in many western countries, particularly the United States. It has had its greatest success with progressive communities across the country. Younger American generations are discovering the possibilities of this genre and are bringing it to small clubs and festivals across the US.The upbeat, dramatic tone of the music has also attracted a following in the Tribal Fusion bellydance community. Tribal Fusion does not claim to emulate traditional dances, costume or music styles strictly, but it does draw inspiration from Balkan traditions.Balkan soul funkBay Area, CA band Inspector Gadje plays mainly traditional and contemporary balkan dance tunes, but because of the varied background of its musicians, elements of jazz and experimental music can be heard.Brooklyn-based Slavic Soul Party! is a virtuoso ensemble of brass musicians that infuse traditional balkan rhythms and beats with jazz, soul, funk and the energy of dance pop.British based band Sam and the Womp have rooted their music in the Balkan funk style to create a modern feel along with catchy and energetic rhythm.Flamenco Balkan fusionAnother popular exploration has been between Balkan music and other styles around the Mediterran like Flamenco, Jazz and Middle-Eastern music. Vancouver based act Ivan Tucakov and Tambura Rasa explores this style and beyond.Balkan beatsTraditional Balkan music mixed with modern, electronic beats: this genre first appeared in the Berlin underground scene in the mid-1990s. The term was coined by Berlin DJ Robert Soko, whose BalkanBeats monthly parties still continue nowadays. It then spread to the European and world scene, to become an established genre nowadays.[1]Music per countryMusic of AlbaniaMusic of Bosnia and HerzegovinaMusic of BulgariaMusic of CroatiaMusic of CyprusMusic of the Czech RepublicMusic of GreeceMusic of MoldovaMusic of MontenegroMusic of Northern CyprusMusic of RomaniaMusic of SerbiaMusic of the Republic of MacedoniaMusic of TurkeyNotable artistsAlbaniaAleksandër PeçiAltuna SejdiuAdrian GaxhaAvni MulaRita Ora Worldwide singerTish DaiaSimon GjoniTonin HarapiAkil Mark KociFeim IbrahimiPrenkë JakovaParashqevi SimakuPalokë KurtiAleksandër PeçiVasil ToleÇesk ZadejaNikolla ZoraqiDavid TukiçiPirro ÇakoLorenc AntoniVaçe ZelaTefta Tashko-KoçoBulgariaAneliaAzisAndrea (Bulgarian singer)GalenaGerganaIvanaKameliaTeodora Rumenova AndreevaSofi MarinovaValya BalkanskaLyubka RondovaIvo PapazovTheodosii SpassovStoyan YankoulovElitsa TodorovaLili IvanovaDesislavaBeloslavaDivnaLora KaradjovaMiroOrlin GoranovKamelia TodorovaGeorgi HristovMaria IlievaPoli GenovaPreslavaMastiloGrupa "Te"Diana EkspresFSBSignalSantraBosnia and HerzegovinaAdnan BabajićAl' Dino (Aldin Kurić)Alen IslamovićAlma ČardžićAmir Kazić LeoAsim BrkanAzra KolakovićBijelo DugmeCrvena JabukaDado DžihanDavor BadrovFuad BackovićDino MerlinDivlje JagodeDubioza kolektivEdo MulahalilovićEdin OsmićEmir & Frozen CamelsEldin HuseinbegovićElvidin KrilićElvir LakovićEratoEsad PlaviGoran BregovićHalid BešlićHalid MuslimovićHamdija ČustovićHanka PaldumHaris DžinovićHari Mata HariKemal MalovčićKemal MontenoLepa BrenaMile KitićMaja SarihodžićNikola/Amir "Nino" RešićOsman HadžićSafet IsovićSanela SijerčićSeid MemićSelma BajramiŠemsa SuljakovićŠerif KonjevićSilvana ArmenulićTomo Miličević - Thirty Seconds to MarsTifaVukašin BrajićZaim ImamovićŽeljko BebekCroatiaAzraNeno BelanToni CetinskiArsen DedićOliver DragojevicGibonniTonči HuljićMišo KovačMagazinMajkeMaja ŠuputLuka NižetićGabi NovakĐorđe NovkovićDenis & DenisDino DvornikMarko PerkovićJurica PađenParni ValjakPrljavo KazališteJelena RozgaDarko RundekZdenko RunjićDado TopićSeverina VučkovićJura Stublić i FilmBranimir ŠtulićDamir UrbanMacedoniaAleksandar BelovAleksandra PilevaAdrian GaxhaAndrijana JanevskaBobi AndonovBojana Atanasovska"Bravo Band"Dani DimitrovskaElena PetreskaElena RisteskaElvir MekićEva NedinkovskaKaliopiKarolina GočevaKristina ArnaudovaLambe AlabakoskiMartin VučićTamara TodevskaTijana DapčevićToše ProeskiVaska IlievaVlado JanevskiVlatko LozanoskiVrčakGreeceMikis TheodorakisTolis VoskopoulosMarinellaGeorge DalarasMaria FarantouriMario FrangoulisDemis RoussosElena PaparizouEleftheria EleftheriouVicky MoscholiouNana MouskouriArgyris NastopoulosApostolos NikolaidisMarika NinouAnna VissiAntique (duo)Apostolia ZoiChryspaDespina VandiElli KokkinouGiorgos PapadopoulosGeorge MichaelLoukas DaralasHrysoula StefanakiChronis AidonidisPeter AndréAnnette ArtaniEleftheria ArvanitakiAgnes BaltsaHaris AlexiouDionysis MakrisKelly KelekidouNancy AlexiadiNotis SfakianakisKaty GarbiPanos TserpesMarianda PieridiKonstantinos ChristoforouPaschalis TerzisMaria CallasPanos KiamosNikos VertisGiorgos PerrisSakis RouvasThanos PetrelisVasilis KarrasThanos KallirisNektaria KarantziGiorgos MazonakisDimitris MitropanosVicky LeandrosLabis LivieratosMandoLisa AndreasMarlen AngelidouLindsay ArmaouKostas MartakisLia VissiPeggy ZinaMarianna ZorbaTheodosia TsatsouMariana EfstratiouElpidaEvridikiLoukas GiorkasAris ChristofellisConstantinos ChristoforouCleopatraNatassa TheodoridouMarios TokasMichalis RakintzisAntonis RemosBabis TsertosProdromos KathiniotisStelios KazantzidisAlex VarkatzasMontenegroAndrea DemirovićBoban RajovićDado PolumentaSako PolumentaVlado GeorgievSergej ĆetkovićBojan MarovićWho SeeRomania[icon] This section requires expansion. (July 2011)Adrian EnescuAdrian RomcescuAdrian SinaAlexAlexandra StanAnna LeskoAnna LeskoAnton SuteuAntonia IacobescuConnect-RDan BalanDavid DeeJayDan BittmanEdward MayaElena GheorgheFanfare CiocarliaInnaLaura StoicaLoredana GrozaLuminiţa AnghelMahala Rai BandaMarcel DragomirMarcel PavelMarius MogaMarius TeicuMădălina ManoleMircea BaniciuMircea VintilaMonica AnghelNicoOctave Octavian TeodorescuSmileyȘtefan Bănică, Jr.Transsylvania PhoenixFuego (Paul Ciprian Surugiu)Viorel GavrilaVlad MiriţăSerbiaBajaga i InstruktoriBelo PlatnoBilja KrstićBoban MarkovićDušan BogdanovićĐorđe BalaševićDžej RamadanovskiFélix LajkóJanika BalázsJelena TomaševićLepa LukićMiroslav IlićMomčilo Bajagić-BajagaPredrag Cune GojkovićSanja IlićSlobodan TrkuljaŠaban BajramovićTeodulijaToma ZdravkovićPredrag Živković Tozovac (Folk)VreloZvonko BogdanTurkeyBarış MançoTarkanMustafa SandalSezen AksuSertab ErenerCandan ErçetinAjda PekkanMelih KibarTimur SelçukMusical groups elsewhereMostar Sevdah Reunion is a sevdah band from Mostar, Bosnia-Herzegovina.GothartCorvus CoraxBeirutA Hawk And A HacksawBalkan Beat BoxCOMBINE RECORD SHIPMENTS AND SAVE MONEY ON SHIPPING!!! SEE RATES & RECORD GRADING BELOWPLEASE NOTE; DUE TO INCREASED USPS SHIPPING COSTS. THE MAXIMUM SHIPPING WEIGHT TO CANADA IS 4 lbs. & OTHER INTERNATIONAL COUNTRIES A MAXIMUM OF 3 lbs. THIS IS DUE TO THE FACT THAT THE SHIPPING CHARGES NEARLY DOUBLE WHEN THE PACKAGE WEIGHS MORE THAN THIS.COST FOR SHIPPING EACH ADDITIONAL 7" 45 rpm or 7" EPUSA: Add: 50 centsCanada: Add: $1.00 (ALL PACKAGES LIMITED TO NO MORE THAN 4 Lbs.)Worldwide: Add $2.00 (ALL PACKAGES LIMITED TO NO MORE THAN 3 Lbs.)LP's MAY BE SHIPPED WITH 45's STARTING WITH THE LP BASE SHIPPING COST & ADDING THE ABOVE AMOUNT(S).Please contact me for combining other records such as 78's, 45's or CD's in order to save on shipping.If You Are Interested in SIMILAR ITEMS, Please:VISIT MY EBAY STOREJust Baby Jane's Looney BinCOMBINE RECORD SHIPMENTS AND SAVE MONEY ON SHIPPING!!! Visual Grading Is as Follows:MINT .. Literally Perfect Record, Shiny Gloss, No Marks, Beautiful Condition.MINT- .. Very Clean, Light Paper Marks... A Great Record for Most Any Collector.VG++ (EX) ... Very Clean, Light Paper Marks... Plays Well with Seldom, but Occasional and Minimal Surface NoiseVG+ .. Light Scratches Only, Should Play Well with Only Occasional and Minimal Surface Noise at Times.VG .. A Nice Record, Looks Used with Some Scratches. Plays with Some Surface Noise.VG- .. Rough with Scratches and has Some Surface Noise , but Will Play without skips.G .. Plays Quite Rough, Has Multiple Scratches, Very Noisy.P .. Poor Condition. Good only for those who will accept any copy to fill in their collection.Dame Shirley Veronica Bassey, DBE (born 8 January 1937 in Cardiff, Wales), is a Welsh singer who found fame in the late 1950s and has continued a successful career since then worldwide. She is also well-known for recording the theme songs to the James Bond films Goldfinger (1964), Diamonds Are Forever (1971), and Moonraker (1979). She has sold an estimated 135 million records to date. With 35 hits in the UK Singles Chart plus 37 hit LPs in the UK Albums Chart, she maintains her position as Britain's most successful female artist of all time, and the artist with the longest span (50 years) of Top 40 hits. Shirley Bassey was born to Henry Bassey and his wife Eliza Jane (née Metcalfe), their seventh and last child, in Tiger Bay, Cardiff, Wales, of paternal Nigerian and maternal English heritage. She grew up in the working-class dockside district of Splott. After leaving Moorland School at the age of fifteen, Bassey first found employment packing at a local factory while singing in local public houses and clubs in the evenings and weekends. In 1953, she signed her first professional contract, to sing in a touring variety show Memories of Jolson, a musical based on the life of Al Jolson. She next took up a professional engagement in Hot from Harlem, which ran until 1954. She toured various theatres until she got an offer of the show that put her firmly on the road to stardom, Al Read's Such Is Life at the Adelphi Theatre in London's West End. While she starred in this show, Philips A&R and record producer Johnny Franz spotted her on television, was impressed, and offered her a recording deal. Bassey recorded her first single, entitled "Burn My Candle (At Both Ends)", and Philips released it in February 1956, when Bassey was just nineteen. Owing to the suggestive lyrics, the BBC banned it, but it sold well nonetheless, backed with her powerful rendition of "Stormy Weather". Further singles followed, and in February 1957, Bassey had her first hit with "Banana Boat Song", which reached #8 in the UK Singles Chart. During that year, she also recorded under the direction of American producer Mitch Miller in the US for the Columbia label, producing the single "If I Had a Needle and Thread" b/w "Tonight My Heart She Is Crying". In mid-1958, she recorded two singles that would become classics in the Bassey catalogue. "As I Love You" was released as the B-side of another ballad, "Hands Across the Sea"; it did not sell well at first, but after a chance appearance at the London Palladium things began to pick up. In January 1959, it reached number one and stayed there for four weeks. It thus became the first number one single by a Welsh artist. Bassey also recorded "Kiss Me, Honey Honey, Kiss Me" at this point, and while "As I Love You" raced up the charts, so too did this record, with both songs being in the top three at the same time. A few months later, Bassey signed to EMI's Columbia label, and the second phase in her recording career had begun. In the early and mid 1960s, Bassey had numerous hits on the UK charts, and five albums in the top 15. Her 1960 recording of "As Long As He Needs Me" from Lionel Bart's Oliver! reached #2, and had a chart run of 30 weeks. In 1962, Bassey's collaboration with Nelson Riddle and his orchestra produced the album Let's Face the Music (#12) and the single "What Now My Love" (#5). Other top ten hits of the period included her second #1, the double A-side "Reach for the Stars"/"Climb Ev'ry Mountain" (1961), "I'll Get By" (also 1961), and a cover version of the Ben E. King hit "I (Who Have Nothing)" in 1963. During this period, John F. Kennedy invited Bassey to sing at his Inauguration Ball. In 1965, Bassey enjoyed her first U.S. Top 10 chart hit with the title song of the James Bond film, Goldfinger - from the #1 original soundtrack in the U.S. that same year. Owing to the success of Goldfinger, she appeared frequently on many American television talk shows such as those hosted by Johnny Carson and by Mike Douglas. Also in 1965, she sang the title track for the spoof James Bond film The Liquidator, and had a Top 20 live album recorded during a sell-out run at London's Pigalle. From 1964 onwards the "Goldfinger" single had a lasting impact on her career in America. But she had actually established herself there as early as 1961, in cabaret in New York. This was reflected in the fact that Bassey had only one solo LP to reach the Top 20 in a US chart (R&B, Live at Carnegie Hall), and she was technically a "one-hit wonder," making only one appearance in the Top 40 of the Billboard Hot 100, "Goldfinger". In 1967 came the release of one of her best-known singles "Big Spender". In 1968, at the Sanremo Festival in Italy, she performed "La vita", an Italian song by Bruno Canfora and Antonio Amurri, with some lyrics re-written in English by Norman Newell for her performance. Her version of the song with chorus sung in Italian became a Top 40 hit on the Italian chart, and Bassey recorded several songs in Italian, some appearing on a 1968 Italian album titled La vita. (Later, Newell would write English lyrics for the rest of "La vita", and the result was "This Is My Life".) In 1970, starting one of the most successful periods of her career, she returned to the UK with a record breaking run of performances at the Talk of the Town nightclub. Also in that year, she released the album Something, which showcased a new Bassey style, a shift from traditional pop to more contemporary songs and arrangements (the single of the same name was more successful in the UK charts than the original Beatles recording - the only artist to have achieved this), though Bassey would never completely abandon what had been her forte, standards, show tunes, and torch songs. "Something" was also a Top 10 U.S. hit on the Adult Contemporary chart. Other singles of this period included top ten hits "For All We Know" (1971) and "Never Never Never" (1973) - the latter also reaching the Top 10 in the U.S. Adult Contemporary Chart. The success of "Something" (single #4, album #5) spawned a series of successful albums on the UA label, including Something Else (1971), And I Love You So (1972), I Capricorn (1972), Never Never Never (1973), Good, Bad but Beautiful (1975), Life, Love and Feelings (1976), You Take My Heart Away (1977) and Yesterdays (1978). Bassey closed out the decade with her third title theme for the Bond films, Moonraker (1979). In 1982 Bassey recorded an album entitled All by Myself and made a TV special for Thames Television called A Special Lady with guest Robert Goulet. In 1983 she recorded a duet with Alain Delon, "Thought I'd Ring You", which became a hit single in Europe. Bassey was now recording far less often but released an album in 1984 of her most famous songs, I Am What I Am, performed with the London Symphony Orchestra conducted by Carl Davis. In 1986, she released a single and video to support the London Tourist Board, There's No Place Like London. In 1987 she recorded an album of James Bond themes, The Bond Collection, but was apparently unhappy with the results, as she declined to release it. Also in 1987, Bassey provided vocals for Swiss artists Yello on "The Rhythm Divine". In 1989 she released an album sung entirely in Spanish, La Mujer. In 1996, Bassey collaborated with Chris Rea in the film La Passione, appearing in the film as herself and releasing the single "'Disco' La Passione". The remix of this single proved a major club hit throughout Europe, though charting just outside the UK top 40. Bassey released a new recording the following year, "History Repeating", written for her by the Propellerheads and scoring a #1 on the UK Dance Chart, and #10 on the US Dance Chart. Bassey celebrated her 60th birthday in 1997 with two open-air concerts, at Castle Howard and Althorp Park, and another TV special. The resulting live album The Birthday Concert received a Grammy Award nomination for Best Traditional Pop Vocal Performance. In 1999, she performed the official song for the Rugby World Cup, "World in Union", with Bryn Terfel at the opening ceremony at The Millennium Stadium, Cardiff, wearing a gown designed on the Welsh flag. Their single made the Top 40, and Bassey contributed two more songs to the official album Land of My Fathers, which reached #1 on the UK compilations chart, and went silver. In 2001, Bassey was principal artiste at the Duke of Edinburgh's 80th Birthday celebration. Then, in 2003, Bassey celebrated 50 years in show business, releasing the CD Thank You for the Years, which was another Top 20 album. A gala charity auction of her stage costumes at Christie's, 'Dame Shirley Bassey: 50 Years of Glittering Gowns', raised £250,000 (US$500,000) for the Dame Shirley Bassey Scholarship at the Royal Welsh College of Music and Drama and the Noah's Ark Children's Hospital Appeal. Bassey topped the bill at the 2005 Royal Variety Performance, introducing her new song "The Living Tree". Two popular Audiences with Shirley Bassey have aired on British TV, one in 1995 that attracted more than 10 million viewers in the UK, with the most recent in 2006. Bassey returned to perform in five arenas around the UK in June the same year, culminating at Wembley. She also performed a concert in front of 10,000 people at the Bryn Terfel Faenol Festival in North Wales broadcast by BBC Wales. Marks & Spencer signed her for their Christmas 2006 'James Bond style' TV advertising campaign. Bassey is seen in a glamorous Ice Palace singing a cover version of Pink's song "Get the Party Started", wearing an M&S gown. "The Living Tree", written, produced and originally recorded by the group Never the Bride, was released as a single on 23 April 2007, marking Bassey's 50th anniversary in the UK Singles Chart - and the record for the longest span of Top 40 hits in UK chart history. Bassey performed a 45 minute set at the 2007 Glastonbury Festival wearing a pink Julien MacDonald dress. A new album, Get the Party Started, was subsequently released on 25 June 2007 and entered the UK Albums Chart at #6. The single reached #3 on the U.S. Dance Chart. In 2009 Bassey recorded a new album, The Performance, with James Bond composer David Arnold as producer. A number of artists wrote songs expressly for Bassey, including Manic Street Preachers, Gary Barlow, KT Tunstall, Pet Shop Boys, Nick Hodgson of the Kaiser Chiefs, John Barry and Don Black. Bassey headlined at the BBC Electric Proms on 23 October, 2009, in her only full live set of 2009.Check out my other SHIRLEY BASSEY records and other items running on Ebay or in my Ebay Store right now.If You Are Interested in SIMILAR ITEMS, Please:VISIT MY EBAY STOREJust Baby Jane's Looney BinPACKAGING & SHIPPINGI PACKAGE MY RECORDS AND OTHER ITEMS CAREFULLY WITH APPROPRIATE MATERIALS. MY SHIPPING CHARGES ARE CAREFULLY CALCULATED TO COVER MY COSTS FOR SHIPPING BOXES, PACKAGING MATERIALS, GASOLINE AND MYRIADS OF OTHER FEES AND CHARGES I MUST PAY TO CONTINUE AFFORDABLE SHIPPING. I GLADLY COMBINE SHIPMENTS TO REDUCE CHARGES WHEN POSSIBLE, BUT SHIPPING RATES ARE NOT NEGOTIABLE.RETURN & INSURANCE POLICY FOR ALL BUYERS:ANY UNDAMAGED ITEM MAY BE RETURNED WITHIN 14 DAYS OF RECEIPT FOR A FULL REFUND LESS SHIPPING COSTS. ALL ITEMS SHIPPED UNINSURED ARE AT THE BUYERS OWN RISK FOR DAMAGE OR LOSS. INSURANCE IS ALWAYS AVAILABLE FOR EXACT COST IN THE USA AND IS HIGHLY ADVISED. I ALWAYS PROVIDE DELIVERY CONFIRMATION OR TRACKING IN THE USA.INTERNATIONAL BUYERS POLICY:UNFORTUNATELY INSURANCE AND TRACKING IS NOT AVAILABLE FOR NON-US BUYERS IF YOU CHOOSE FIRST CLASS INTERNATIONAL OR INTERNATIONAL PRIORITY FLAT RATE, ONLY FOR REGULAR INTERNATIONAL PRIORITY OR EXPRESS MAIL. WHEN YOU CHOOSE FIRST CLASS INTERNATIONAL MAIL AND INSURANCE , YOUR SHIPPING WILL BE AUTOMATICALLY UPGRADED TO INSURED INTERNATIONAL PRIORITY MAIL WITH RECORDED DELIVERY. THIS IS THE SAFEST WAY TO RECEIVE YOUR ITEM. I CANNOT ACCEPT RESPONSIBILITY FOR ITEMS SHIPPED BY FIRST CLASS INTERNATIONAL UNINSURED, AS THERE IS NO WAY TO TRACK THEM AND NO RECOURSE IF THEY ARE DAMAGED OR LOST.If You Are Interested in SIMILAR ITEMS, Please:VISIT MY EBAY STOREJust Baby Jane's Looney Bin read more

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