Sexy Burlesque Dancer Bronze Sculpture Statue Statue Art Deco Marble Figurine

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Sexy Burlesque Dancer Bronze Sculpture Statue Statue Art Deco Marble Figurine Description Condition : This sculpture is in perfect condition. Bronze Dimensions with Marble Base:Height 7 1/2" x Width 7" Marble Dimensions: 7" X 4" Height without base: 6 1/2" Weight : 8 LBS Inventory : 18ST0133781 This sultry lil burlesque dancer knows all the right moves and is all about putting on a little tempting show for the boys. With style, grace and confidence she kicks up her long lanky leg and tips her hat to the audience. In true cabaret attire, her costume shimmers. Her hair has thick big curls which peak out from under her hat and her flirty dress is held in place with spaghetti thin straps. Her dress has a red and gold patina and her heels are red as well, she wears a gold top hat to pull her flirty little outfit together. This bronze sculpture was cast using the "Lost Wax Method" and has a two tone brown patina and a special hand painted gold and red patina. This sculpture is signed by the artist Nick .Mario Nick is a very talented young artist who works diligently with our foundry. He was born in 1974 to a wholesome Italian family. He started drawing at a young age and as the years went by he began studying art and working with sculpting. He moved to France to find a better understanding of art and studied there as well. After France he moved to Spain and was discovered by our foundry European Bronze he has partnered and works exclusively with our finery. The Art of Lost Wax Lost wax casting has been around for thousands of years, yet few people understand how the process actually works. Although mechanization has facilitated the lost wax process of bronze casting, the procedure is basically the same as that used by the Chinese when they first developed the process in the 2nd millennium BC. The Rubber Mold First the artist creates an original sculpture out of any number of media, including stone, wax, clay, wood and pottery. This image is coated with a silicone rubber molding material that makes two rubber mold halves (each rubber mold has a front and a back piece). A fiberglass outer shell is added to the back of each mold so it retains its shape and rigidity during subsequent uses. These molds are the only components that are ever re-used in the casting process. All other components are re-created for each casting. The Wax Positive Once the molds are done, the insides are coated with layers of wax. The halves are then bound together and wax poured inside to complete the wax image being created. Once the wax has cooled, the mold is peeled away, yielding a wax image (the wax positive") duplicating the original sculpture. This image must then be "touched -up" to remove any seam lines, scratches or other flaws, as well as to recreate any pattern or texturing that was lost or damaged when the wax was made. The quality of the finished bronze relies on a clean, high quality mold and an impeccably recreated wax image that is as near to perfect as possible. Gating The next step, "gating", is the application of a series of tubes and funnels that allow the molten bronze to flow through to the bottom of the ceramic shell and the hot gases to escape at the same time. These sprus are created by attaching wax rods to the finished wax form at strategically spaced locations. Ceramic Shell Casting After the gating is completed each wax form is dipped in a liquid ceramic silica-sand compound so it is completely coated inside and out. Holes called "patches" have been cut into the wax to allow an entrance to the inside of the form. The form is subsequently dipped 6 to 12 or more times over a period of several days until the desired shell thickness is achieved. Lost WaxOnce these ceramic shells have dried thoroughly the pieces are placed into an autoclave and the wax is melted out (hence the term "lost wax"), to be reclaimed and used again. The shells are then cured in a kiln so they will withstand the temperature of the molten bronze being poured... read more

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