SIGNED MOIGNIEZ HUNTING DOG W/ QUAIL BRONZE SCULPTURE ON MARBLE BASE STATUE DECO

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SIGNED MOIGNIEZ HUNTING DOG W/ QUAIL BRONZE SCULPTURE ON MARBLE BASE STATUE DECO Description Condition: This sculpture is in perfect condition. Bronze Dimensions with Marble Base:Height 7" x Width 12" Marble Dimensions:10" x 4" Height without base:8" Weight : 10 LBS Inventory : 53k1694335 This intense piece features a dog with a dead bird in his mouth. He is looking ahead of him, as his owner has undoubtedly given him the order to capture the creature that he just shot. The lifeless bird dangles upside down from the dog's mouth as the dog stands proudly on all fours, his beautifully crafted fur hangs from various parts of his body. This skilled artisan has given this piece a great sense of atmosphere, readily seen through the tree stump and mud tracks that we see on the ground behind the creatures, allowing us to gauge that the dog is in the forest. This piece features the lost wax method of casting, founded thousands of years ago, ensuring an exquisitely detailed sculpture signed Moigniez that will add grace and beauty to your business or home. Get one for the hunter or animal lover in your life. The Art of Lost Wax Lost wax casting has been around for thousands of years, yet few people understand how the process actually works. Although mechanization has facilitated the lost wax process of bronze casting, the procedure is basically the same as that used by the Chinese when they first developed the process in the 2nd millennium BC. The Rubber Mold First the artist creates an original sculpture out of any number of media, including stone, wax, clay, wood and pottery. This image is coated with a silicone rubber molding material that makes two rubber mold halves (each rubber mold has a front and a back piece). A fiberglass outer shell is added to the back of each mold so it retains its shape and rigidity during subsequent uses. These molds are the only components that are ever re-used in the casting process. All other components are re-created for each casting. The Wax Positive Once the molds are done, the insides are coated with layers of wax. The halves are then bound together and wax poured inside to complete the wax image being created. Once the wax has cooled, the mold is peeled away, yielding a wax image (the wax positive") duplicating the original sculpture. This image must then be "touched -up" to remove any seam lines, scratches or other flaws, as well as to recreate any pattern or texturing that was lost or damaged when the wax was made. The quality of the finished bronze relies on a clean, high quality mold and an impeccably recreated wax image that is as near to perfect as possible. Gating The next step, "gating", is the application of a series of tubes and funnels that allow the molten bronze to flow through to the bottom of the ceramic shell and the hot gases to escape at the same time. These sprus are created by attaching wax rods to the finished wax form at strategically spaced locations. Ceramic Shell Casting After the gating is completed each wax form is dipped in a liquid ceramic silica-sand compound so it is completely coated inside and out. Holes called "patches" have been cut into the wax to allow an entrance to the inside of the form. The form is subsequently dipped 6 to 12 or more times over a period of several days until the desired shell thickness is achieved. Lost WaxOnce these ceramic shells have dried thoroughly the pieces are placed into an autoclave and the wax is melted out (hence the term "lost wax"), to be reclaimed and used again. The shells are then cured in a kiln so they will withstand the temperature of the molten bronze being poured into them.The Pour Bronze ingots are melted to a temperature of approximately 2000�F and poured into the cured ceramic shells. As the sculpture cools the ceramic shell begins to pop away from the bronze. This shell will be completely broken away, using a hammer and chisel, before the superfluous metal materials are cut away. S... read more

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