SOUND ENGINEERING COURSE PRO TOOLS MBOX UAD-1 M-AUDIO

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This course was developed by a seasoned recording engineer with over 20 years of experience and it’s intended for people who own a home recording studio and have difficulty achieving a professional quality sound. So, if your mixes sound dull, the instruments sound unbalanced in your track, your final mix isn’t as loud as the CD’s you hear, too much distortion and muddiness and the sound just doesn’t seem “right”… then this course is for you if you’re serious about your music and want to learn more about music production and sound engineering. We must warn you… this course is massive and contains over 1000 professionally-recorded audio examples and tracks . are the things you will learn: Analog and Digital Audio Primer Analog audio, signals, frequency response, noise, distortion, wow & flutter, clicks and interference, digital audio, analog-to-digital conversion, sampling, quantization, dither, digital-to-analog conversion. Microphone Technique Dynamic microphones, capacitor microphones, ribbon microphones, electret microphones, polar patterns, vacuum tube microphones, attenuator, filter, microphone selection, microphone positioning, stereo microphone techniques. Microphone Preamplifiers Vacuum tube preamplifiers, solid-state and integrated circuit preamplifiers, FET preamplifiers, gain, pad, phase. filter. gain setting, preamplifier selection. Equalization High-frequency equalization, frequency, gain, bell/shelf, mid-frequency equalization, Q, low-frequency equalization, graphic equalizers, parametric equalizers, filters, cut-off frequency, slope. Compression Dynamic range control, threshold, ratio, attack, decay, knee, stereo linking, side chain, compression for aural enhancement, vacuum tube compressors. Recording Software Disk recording, hard disks, seek time, rotational speed, input/output assignment, recording, editing and crossfade editing, gain change and normalization, mixing, inserts, auxiliary sends, auxiliary tracks, buses, master fader. Effects and Plug-ins Delay and reverberation, phasing, flanging, chorusing, pitch change, aural enhancement, comparison between manual effects, hardware effects and plug-ins. Synthesis and Sampling Additive synthesis, subtractive synthesis, FM synthesis, wavetable synthesis, physical modeling synthesis, analog synthesis, voltage-controlled oscillator, voltage-controled filter, voltage-controled amplifier, envelope generator, sampling, looping, multisampling, phrase sampling, key groups. Recording Techniques Vocals, drums, acoustic guitar, electric guitar, piano, string instruments, wind instruments, percussion instruments, drums, small groups and ensembles, orchestral recording, multitrack recording, punch-in, foldback, stereo recording. Mixing Analog mixing consoles, digital mixing consoles, digital mixing through software, automation, mutes, faders, pan, equalization, compression, noise gating, auxiliary sends, auxiliary returns, mixing for stereo, mono compatibility, monitoring. Mastering Equalization, compression, limiting, multi band compression, soft clipping, mastering for subjective loudness, mastering to match tracks in a compilation. Marketing Your Music and Music Production and Sound Engineering Services Industry roles, record producer, recording engineer, A&R manager, studio manager, session musician, arranger, programmer, the music industry, the recording industry and record labels, pitching and promoting your services as an artist, engineer or producer. Showreel guidance. read more

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