VERONICA CARLSON--WITH--AND IN--THE SAINT!!

VERONICA CARLSON--WITH--AND IN--THE SAINT!! (image 1/1)
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In the far-off days when Movie Theaters were considered as 'Palaces of Entertainment', and computers were just silly science fiction stuff, movie stills were the main way to advertise upcoming films.T were three kinds of stills: FOH shots were made in both black and white and color. These were put in special showcases were built at the front of theaters, arranged so perspective filmgoers could look at images from a film before buying a ticket for that film. Press Stills were distributed to newspapers and magazines. In most cases, these included many shots beyond the basic FOH still and were used for articles and reviews. Special shots were printed from contact sheet numbers for use in very particular pieces in magazines or books. As these were done in the smallest numbers, they are often the hardest of all to find. For some time I have been celebrating Britain's HAMMER FILMS--the company who did the best gothic horror movies of the last half of the century. One of the biggest reasons for their success was their beautiful women--starlets who had looks and personalities--and other assets. Tonight, I am going to look at two of these girls: VERONICA CARLSON (one of my personal favorites) made her debut in DRACULA HAS RISEN FROM THE GRAVE and returned in two Frankenstein films. Afterwards, she worked for some time in the film industry read more
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